A Pass in the Apennines

between 1655 and 1660

Jan Wils Dutch, ca. 1600 - 1666

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About the Artwork

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Provenance

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Exhibition History

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Catalogue Raisonné

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About the Artwork

Title A Pass in the Apennines

Artwork Date between 1655 and 1660

Artist Jan Wils

Life Dates ca. 1600 - 1666

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Dutch

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on oak panel

Dimensions Unframed: 16 1/2 × 23 1/2 inches (41.9 × 59.7 cm) Framed: 22 3/4 × 29 1/2 × 2 1/4 inches (57.8 × 74.9 × 5.7 cm)

Classification Paintings

Department European Painting

Credit Gift of James E. Scripps

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 89.31

Markings

Inscriptions ------

Provenance

1881, collection M. Tencé (Lille, France)

December 12, 18881, sold by (Drouot exp. Féral & Martin, Paris, France), lot 10. April 6, 1889, sold by (Christie's, London, England), lot 123

April 6, 1889, purchased by James E. Scripps [1835-1906] (Detroit, Michigan, USA)

1889-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

"The Scripps Old Masters," The Collector 2, no. 13 (May 1, 1891): pp. 149-152, p. 149 [as by Jan Both, “A View in the Apennines”].

Scripps, James E. Handbook of the Paintings Ancient and Modern, Belonging to the Detroit Museum of Art. Detroit, 1895, pp. 26-27, no. 45 [as by Jan Both, “A View in the Apennines”].

Handbook of Paintings by the Old Masters. DMA. Detroit, 1910, p. 35, no. 45.

Burroughs, C. Catalogue of paintings, sculpture and contemporary arts and crafts. DIA. Detroit, 1920, p. 44, no. 34.

Hofstede de Groot, C. Catalogue Raisonné of the Works of the most Eminent Dutch Painters of the Seventeenth Century, vol. 9. 1927, p. 469, no. 162.

Heil, W. Catalogue of Paintings in the Permanent Collection of The Detroit Institute of Arts. Detroit, 1930, cat. 14, (repr.).

Richardson, E. P., ed. Catalogue of Paintings. DIA. Detroit, 1944, p. 15, no. 14.

Italy through Dutch Eyes. Exh. cat., Univerity of Michigan Museum of Art. Ann Arbor, April 22-May 24, 1964, cat. 15, pl. 6.

Nederlandse 17e eeuwse Italianiserende Landschapschilders. Exh. cat., Centraal Museum. Utrecht, 1965, p. 125, cat. 99, (fig. 59).

Stechow, W. Dutch Landscape Painting of the Seventeenth Century. London, 1966, pp. 157, 489, pl. 316.

Burke, J. Jan Both. New York, Garland, 1976, pp. 165, 194, no. 20, (fig. 20).

Solar, G. Jan Hackaert die Schweizer Ansichten 1653-1656. Zurich, Dietikon, 1981, p. 12, pl. 5.

Masters of 17th-Century Dutch Landscape Painting. Exh. cat, Rijksmuseum, Museum of Fine Arts, Philadelphia Museum of Art. Amsterdam, Boston, Philadelphia, 1987-1988, pp. 277-278, cat. no. 14, pl. 52 [exhibition organized by Peter C. Sutton].

Jongh, E. de, Kwesties van betekenis. Thema en motief in de Nederlandse schilderkunst van de zeventiende eeuw. Leiden, Primavera Pers, 1995, p. 168, pl. 1.

Davies, A. I.. Allart van Everdingen 1621-1675 First Painter of Scandinavian Landscape. Doornspijk, 2001, p. 106 [cites 89.31 as influenced by A. van Everdingen painting of 1647 in Braunschweig--cat. 28].

Masters of Dutch Painting: The Detroit Institute of Arts. London, 2004, pp. 264-265, entry by A. K. Wheelock, Jr.

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