Presentation in the Temple

ca. 1575

Orazio Samacchini Italian, 1532-1577

Not On View

Image Only Image + Details All Images High Resolution TIFF Metadata

About the Artwork

Please note: This section is empty
Markings

Please note: This section is empty

This section contains information about signatures, inscriptions and/or markings an object may have.
Provenance

Please note: This section is empty

Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:
Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.
Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.
Catalogue Raisonné

Please note: This section is empty

A catalogue raisonné is an annotated listing of artworks created by an artist across different media.
Credit Line for Reproduction

Please note: This section is empty

The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Title Presentation in the Temple

Artwork Date ca. 1575

Artist Orazio Samacchini

Life Dates 1532-1577

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Italian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Pen and brown ink with brown wash, heightened with white, over black chalk on light tan laid paper, squared for transfer with black chalk

Dimensions Sheet: 11 1/8 × 7 1/16 inches (28.3 × 17.9 cm)

Classification Drawings

Department Prints, Drawings & Photographs

Credit Founders Society Purchase, William H. Murphy

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 34.152

Markings

Inscriptions Inscribed, in pencil, on backing sheet, diagonally, near center: Sebastiano di Piombo | (Dominiquani Bologne) Inscribed, in blue pencil, on backing sheet, lower center: 486 [between two lines]

Provenance

Hermann Voss (Berlin, Germany)

1934-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

DeGrazia, Diane. La Stampe Dei Carracci Con I Disegni, Le Incisioni, Le Copie E I Dipinti Connessi. Bologna, 1984, pp. 90-91 (fig 58a).

Exhibition of Old Master Drawings at the H. Schickman Gallery. Exh. cat., H. Schickman Gallery. New York, 1966, no. 28.

Italian, French, English, and Spanish Drawings and Watercolors: Sixteenth Through Eighteenth Centuries. New York, 1992, p. 58, no. 15, p. 23 (pl. vii).

Prints and Related Drawings by the Carraci Family: A Catalogue Raisonné. Washington D.C., 1979, p. 122 (fig. 31a).

Smith, Grahm. "A Drawing by Orazio Samacchini for his Presentation in the Temple in San Giacomo Maggiore." Master Drawings 13, 4 (1975): pp. 370-372.

Olszewski, Edward. A Corpus of Drawings in Midwestern Collections. Sixteenth-Century Italian Drawings, vol. 1-2. Belgium: Brepols Publishers, 2008, vol. 2, p. 419, cat. 339 (ill.).

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

Orazio Samacchini, Presentation in the Temple, ca. 1575, pen and brown ink with brown wash, heightened with white, over black chalk on light tan laid paper, squared for transfer with black chalk. Detroit Institute of Arts, Founders Society Purchase, William H. Murphy, 34.152.