Ritiro

1991

Mimmo Paladino Italian, born 1948

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About the Artwork

Neo-expressionism was an international movement in the 1980s that brought back a more traditional style and figurative subject matter in both painting and sculpture. Paladino is among the original group in Italy that was coined the “Transavanguardia” by a critic. Transavantgarde artists appropriate images from Italian history and mythology as well as prehistoric, medieval, and primitive art along with Christian and pagan symbols for their subject matter. Paladino incorporates these themes in this sculpture, which is based on the standing figures of the classical world and wears an all-seeing, masklike helmet.

Title Ritiro

Artwork Date 1991

Artist Mimmo Paladino

Life Dates born 1948

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Italian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Painted bronze and silver, #2/3

Dimensions Overall: 77 1/2 × 16 1/2 × 23 1/4 inches (196.9 × 41.9 × 59.1 cm)

Classification Sculpture

Department Contemporary Art after 1950

Credit Founders Society Purchase, W. Hawkins Ferry Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1992.278

Markings

Signed Signed on the back of the base: M. Paladino

Inscriptions Dated, back of base: 1991

Provenance

The artist

(Sperone Westwater Gallery, New York, New York, USA)

1992-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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