Rosette From Canterbury Cathedral

c. 1220

English

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Rosette From Canterbury Cathedral

Artwork Date c. 1220

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. English

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. English

Medium Stained glass

Dimensions Overall: 14 3/4 × 20 7/8 × 1/4 inches (37.5 × 53 × 0.7 cm) Overall (Central Rosette): 12 inches × 12 3/16 inches (30.5 × 31 cm) Overall (Diameter of Side Medallions): 1 3/4 inches (4.4 cm)

Classification Stained Glass

Department European Sculpture and Dec Arts

Credit Gift of Lillian Henkel Haass

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 58.190

Markings

Inscriptions ------

Provenance

Created for the Trinity Chapel ambulatory, Christ Church Cathedral, (Canterbury, Kent, England). Until 1923, Dendy Sadler Collection [1854-1923] (London, England)

Until 1924, (Grosvenor Thomas [1856-1923], London, England)

Julius H. Haass, (Grosse Pointe, Michigan, USA)

Until 1958, Lillian Henckel Haass, (Grosse Pointe, Michigan, USA)

1958-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Metropolitan Museum of Art, New York, THE YEAR 1200: BETWEEN ROMANESQUE AND GOTHIC, Feb - May, 1970, no 231.

Caviness, Madeline Harrison, THE WINDOWS OF CHRIST CHURCH CATHEDRAL, CANTERBURY, London: Corpus Vitrearum Medii Aevi, Great Britain II, 1981, pp 205 & 315.

STAINED GLASS BEFORE 1700 IN AMERICAN COLLECTIONS: MID- WESTERN AND WESTERN STATES (CORPUS VITREARUM CHECK- LIST III), Studies in the History of Art, vol 28, Washington, DC: National Gallery of Art, 1989, p 157 (ill) (with bibliography).

Raguin, Virginia C. and Helen J. Zakin, CORPUS VITREARUM UNITED STATES OF AMERICA PART VII: STAINED GLASS BEFORE 1700 IN THE COLLECTIONS OF THE MIDWEST STATES, vol I, London: Harvey Miller Publishers, 2001, pp 159-162, for further bibliography p 160.

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Catalogue Raisoneé

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Credit Line for Reproduction

English, Rosette From Canterbury Cathedral, c. 1220, Stained glass. Detroit Institute of Arts, Gift of Lillian Henkel Haass, 58.190.

Musician

English

ca. 1780

No Available Image

Fan

English

c. 1815

No Available Image

Fan

English

c. 1815

Cosmetic Pot

Antoine LeBrun

between 1738 and 1739

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Rosette From Canterbury Cathedral

About the Artwork

Markings

Provenance

Exhibition History

Published References

Catalogue Raisoneé

Credit Line for Reproduction

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