Saint Benedict

between 1530 and 1540

Master of the Saint Alexis Roundels German, active 1530-1540

On View

Decorative Arts Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Saint Benedict

Artwork Date between 1530 and 1540

Artist Master of the Saint Alexis Roundels

Life Dates active 1530-1540

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. German

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium White glass with silver stain and vitreous paint

Dimensions Includes leaded framework: 5/8 x 13 1/8 in.diam. ( 1.6 x 33.4 cm)

Classification Stained Glass

Department European Sculpture and Dec Arts

Credit Gift of Mrs. Lillian Henkel Haass and Mrs. Trent McMath

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 40.126

Markings

Inscriptions Inscribed, at right and left of the figure's head: S bñ dict'

Provenance

Earl of Essex (Cassiobury Park, Hertfordshire, England)

(Grosvenor Thomas, London, England)

1923, by descent to his son (Roy Grosvenor Thomas, New York, New York, USA)

Julius Haass (Grosse Pointe, Michigan, USA)

his daughter, Lillian Henckel Haass and Mrs. Trent McNath (Detroit, Michigan, USA)

1940-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Husband, T.B. Stained Glass Before 1700 in American Collections: Silver-stained Roundels and Unipartite Panels (Corpus Vitrearum Checklist IV). Studies in the History of Art, vol. 39. Washington, DC, 1991, pp. 111, 114.

Raguin, V. and H. Zakin. Stained Glass Before 1700 in the collections of the Midwest States (Corpus Vitrearum United States of America 7), vol. I, Illinois, Indiana, Michigan. London, 2001, pp. 245-248.

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Catalogue Raisoneé

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Credit Line for Reproduction

Master of the Saint Alexis Roundels, Saint Benedict, between 1530 and 1540, white glass with silver stain and vitreous paint. Detroit Institute of Arts, Gift of Mrs. Lillian Henkel Haass and Mrs. Trent McMath, 40.126.