Saints Daniel of Padua and Louis of Toulouse

between 1495 and 1499

Jacopo da Montagnana Italian, ca. between 1440 and 1450 - 1499

On View

European: Medieval, Level 2, Central Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Saints Daniel of Padua and Louis of Toulouse

Artwork Date between 1495 and 1499

Artist Jacopo da Montagnana

Life Dates ca. between 1440 and 1450 - 1499

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Italian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Tempera on wood panel

Dimensions Unframed: 25 3/4 × 26 7/8 inches (65.4 × 68.3 cm) Framed: 35 3/4 × 36 3/4 × 3 inches (90.8 × 93.4 × 7.6 cm)

Classification Paintings

Department European Painting

Credit Gift of Mrs. Ralph Harman Booth in memory of her husband

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 43.1

Markings

Inscriptions ------

Provenance

Julius Böhler (Berlin, Germany). by 1931, Ralph Harman Booth [1873–1931] (Detroit, Michigan, USA)

by 1931, by inheritance to his spouse M. Mary Booth [1879–1951] (Detroit, Michigan, USA)

1943–present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Venturi, Lionello. Pitture Italiane in America. Milan, 1931, unpaginated, no. 327. (ill.). [as "S. Lorenzo e S. Luigi" by Bernardino Zenale.]

Berenson, Bernard. Italian Pictures of the Renaissance. Oxford, 1932, p. 608. [as "Petronius and Louis of Toulouse (?)" by Marco Zoppo.]

The Sixteenth Loan Exhibition of Old Masters, Italian Paintings of the XIV to XVI Century. Exh. cat., Detroit Institute of Arts. Detroit, 1933, unpaginated, no. 85. [as "St. Laurence and St. Louis of Toulouse" by Bernardino Zenale.]

Venturi, Lionello. Italian Paintings in America, vol. 2. New York, 1933, unpaginated, no. 439 (ill.).

Moschetti, Andrea. “Di Jacopo di Montagna e delle sue opera.” Bollettino del Museo civico di Padova 27–28 (1934–1939): pp. 88–90. [As “SS. Petrouio e Luigi di Tolosa.”]

Berenson, Bernard. Pitture Italiane del Rinascimento. Milan, 1936, p. 523. [as "S.S. Petronio e Luigi di Tolosa (?)" by Marco Zoppo]

Suida, William. "Bernardo Zenale: Addenda et Corrigenda" Art in America 31, no. 1 (January 1943): 5–20, p. 15, 17 (ill.). [as "St. Louis of Toulouse and a St. Diacon" by Bernardo Zenale.]

Richardson, Edgar P., ed. The Detroit Institute of Arts, Catalogue of Paintings. Detroit, 1944, pp. 147–148, no. 803; p. 188 (ill.). [as by Bernardo Zenale.]

Richardson, Edgar P. "Two Saints by Bernardo Zenale." Bulletin of the DIA 23, no. 8 (1944): pp. 62–63 (ill.). [as by Bernardo Zenale].

Arrigoni, Paolo. "Zenale, Bernardo (Bernardino)" In Allgemeines Lexikon der Bildenden Künstler 36, ed. Hans Vollmer et al. Leipzig, 1947, p. 456. [as "Lorenz und Ludwig in Halbfig" by Bernardo Zenale]

Wittgens, Fernanda. "La Pittura Lombarda nella Seconda Meta del Quattrocento." In Storia di Milano, vol. 7. Milan, 1956, p. 785.

Suida, William. "Pitture Lombarde del Rinascimento." Rivista d’Arte 32 (January 1957): 151–173, pp. 163–164 (ill.). [as by Bernardo Zenale]

Arte lombarda dai Visconti agli Sforza. Exh. cat., Palazzo Reale. Milan, 1958, pp. 154–155, no. 489. [as “S. Ludovico di Tolosa e S. Vincenzo (?)”.]

Santagiuliana, Tullio and Ildebrando Santagiuliana. Storia di Treviglio. Bergamo, 1965, pp. 247, 287. [As “San Lodvico di Tolosa e San Vincenzo.”]

Fredericksen, Burton B. and Federico Zeri. Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections. Cambridge, 1972, p. 365. [as "Fragment with Louis of Toulouse and Anonymous Deacon."]

"Repertorio delle opera: Le opera di Bernardo Zenale." Arte Lombarda 63, no. 3. (1982): 41–89, pp. 55–56 (ill.).

Barnet, Peter. Clothed in Majesty: European Ecclesiastical Textiles from the Detroit Institute of Arts. Exh. cat., Detroit Institute of Arts. Detroit, 1991, p. 50 (ill.). [As by attributed to Jacopo da Montagnana.]

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Catalogue Raisoneé

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Credit Line for Reproduction

Jacopo da Montagnana, Saints Daniel of Padua and Louis of Toulouse, between 1495 and 1499, tempera on wood panel. Detroit Institute of Arts, Gift of Mrs. Ralph Harman Booth in memory of her husband, 43.1.