Scene from Macbeth

ca. 1850

William Rimmer American, 1816-1879

On View

American, Level 2, West Wing

Image Only Image + Details All Images High Resolution TIFF Metadata

About the Artwork

Please note: This section is empty
Markings

Please note: This section is empty

This section contains information about signatures, inscriptions and/or markings an object may have.
Provenance

Please note: This section is empty

Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:
Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.
Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.
Catalogue Raisonné

Please note: This section is empty

A catalogue raisonné is an annotated listing of artworks created by an artist across different media.
Credit Line for Reproduction

Please note: This section is empty

The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Title Scene from Macbeth

Artwork Date ca. 1850

Artist William Rimmer

Life Dates 1816-1879

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 36 × 26 inches (91.4 × 66 cm) Framed: 46 3/4 × 36 3/4 × 3 3/4 inches (118.7 × 93.3 × 9.5 cm)

Classification Paintings

Department American Art before 1950

Credit Gift of Sally A. Feldman in memory of Joseph D. Feldman

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1994.36

Markings

Inscriptions Stamped or stenciled, on back, except for the number, which is handwritten: PREPARED BY | MORRIS | NO 17 | EXCHANGE ST. | BOSTON

Marks Label, on stretcher, now covered by relining: BRUNDIDGE

Provenance

private collection (house on Mission Hill, Milton, Massachusetts, USA). ca. 1916, Mrs. Brundidge (Milton, or Hyde Park, Massachusetts, USA). Adelson Gallery (Boston, Massachusetts, USA). Ira Spanierman (New York, New York, USA). 1966, Drawing Shop-Galerie, now Shepherd Gallery (New York, New York, USA). on consignment at Kennedy Galleries (New York, New York, USA). Richard Manoogian (Detroit, Michigan, USA). Kennedy Galleries (New York, New York, USA). 1984, Shepherd Gallery (New York, New York, USA). 1984, private collector. 1984, Joseph Feldman (Michigan, USA)

his wife, Sally Feldman

1993-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

The Painter and the New World: A Survey of Painting from 1564 to 1867, Marking the Founding of the Canadian Federation. Exh. cat., Montreal Museum of Fine Arts. Montreal, 1967, no. 212. [as Scene from The Tempest]

“An American Survey: Paintings from Two Centuries.” Kennedy Quarterly 7, 1 (March 1967): pp. 38-39. [as Scene from The Tempest]

Flexner, James Thomas. Nineteenth-Century American Painting. New York, 1970, p. 202. [as Scene from The Tempest]

Weidman, Jeffrey. William Rimmer: Critical Catalogue Raisonné . Ann Arbor, 1982, pp. 466-476.

William Rimmer: A Yankee Michelangelo. Exh. cat., Art Museum/Fuller Memorial. Brockton, MA, 1985, p. 55, no. 17.

Studing, Richard. Shakespeare in American Painting: A Catalogue from the Late Eighteenth Century to the Present. Rutherford, NJ, 1993, pp. 19, 114-115, no. 650.

Evans, Dorinda. William Rimmer: Champion of Imagination in American Art. Cambridge, 2022, p. 9, p. 11 (ill.) [avaliable online at: https://doi.org/10.11647/OBP.0304].

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

William Rimmer, Scene from Macbeth, ca. 1850, oil on canvas. Detroit Institute of Arts, Gift of Sally A. Feldman in memory of Joseph D. Feldman, 1994.36.