Seated Bather

1917

Jacques Lipchitz French and American (born Lithuania), 1891–1973

On View

Modern, Level 2, North Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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About the Artwork

Title Seated Bather

Artwork Date 1917

Artist Jacques Lipchitz

Life Dates 1891–1973

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French and american

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Bronze

Dimensions Overall: 29 × 9 1/2 × 9 1/2 inches (73.7 × 24.1 × 24.1 cm)

Classification Sculpture

Department European Modern Art to 1970

Credit Founders Society Purchase, Friends of Modern Art Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 59.114

Markings

Signed Signed on back, with thumbprint: 4/7 Lipchitz

Inscriptions ------

Provenance

by 1959, (Fine Art Associates, New York, New York, USA)

1959-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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