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About the Artwork

Like his friend Willem de Kooning, Kline used abstraction to commemorate specific people, places, or events. Dynamic line and powerful brushstrokes loaded with paint reduce his compositions to a few large forms. Both the white and black areas seem to project from the work with equal force; this dramatic surface tension releases and yet controls the energy of his process. Kline's dialogue of black and white in Siskind evokes the abstract photographs of Aaron Siskind, his close friend, to whom this work is dedicated.

Siskind

1958

Franz Kline

1910-1962

American

Unknown

Oil on canvas

Unframed: 80 × 111 inches (203.2 × 281.9 cm) Framed: 81 1/2 × 112 1/2 × 2 3/8 inches (207 × 285.8 × 6 cm)

Paintings

Contemporary Art after 1950

Founders Society Purchase, W. Hawkins Ferry Fund

65.7

© 2005 The Franz Kline Estate / Artists Rights Society (ARS), New York

Markings

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Provenance

1965-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

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Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Franz Kline, Siskind (p.375)

FRANZ KLINE: 1910-1962. Castello di Rivoli and Museo d’Arte Contemporanea. Milan: Skira, 2004; p. 375, col. ill.

"American Art in the Twentieth Century", London: Royal Academy of Arts, 1993, no.119.

"The W. Hawkins Ferry Collection," The Detroit Institute of Arts, 1966, no.30 (ill).

The Bulletin of the DIA, vol. 50, no. 2, 1971, p.20 (ill).

Mehring, Christine, "Siskind's Challenge; Action Painting and a Newer Laocoon, Photographically Speaking", Yale University Art Bulletin, Photography at Yale (2006), pp. 86 (ill) - 107.

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Catalogue Raisoneé

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Credit Line for Reproduction

Franz Kline, Siskind, 1958, oil on canvas. Detroit Institute of Arts, Founders Society Purchase, W. Hawkins Ferry Fund, 65.7.

Siskind
Siskind