Sleeping Mats

1884

Japanese

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Sleeping Mats

Artwork Date 1884

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Japanese

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Japanese

Medium Albumen print

Dimensions Image: 5 5/8 × 7 1/8 inches (14.3 × 18.1 cm) Mount: 10 3/4 × 14 inches (27.3 × 35.6 cm)

Classification Photographs

Department Prints, Drawings & Photographs

Credit Gift of anonymous donor

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. F46.42

Markings

Inscriptions Inscribed, in negative, lower left: four Japanese characters (see file, Registrar's office, for replication of the characters) Inscribed, in black ink, on mount, lower left: Japan 1884. Sleeping Mats

Provenance

1946-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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