Spectre Riding the Golden Ass

1945

David Smith American, 1906 - 1965

Not On View

Spectre Riding the Golden Ass: 1 of Collection Gallery

Spectre Riding the Golden Ass: 2 of Collection Gallery

Spectre Riding the Golden Ass: 3 of Collection Gallery

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About the Artwork

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Markings

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Provenance

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Exhibition History

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About the Artwork

Title Spectre Riding the Golden Ass

Artwork Date 1945

Artist David Smith

Life Dates 1906 - 1965

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Bronze

Dimensions Overall: 11 3/4 × 12 1/4 × 4 inches (29.8 × 31.1 × 10.2 cm)

Classification Sculpture

Department Contemporary Art after 1950

Credit Gift of Robert H. Tannahill

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 47.60

Markings

Signed Signed, top of base: David Smith 45

Inscriptions Inscribed (signed and dated) on top of base in left rear corner: David Smith 45

Provenance

The artist's studio

(Willard Gallery, New York, New York, USA)

1947-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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