In the Studio

1865

James Abbott McNeill Whistler American, 1834 - 1903

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title In the Studio

Artwork Date 1865

Artist James Abbott McNeill Whistler

Life Dates 1834 - 1903

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Watercolor, gouache, and black chalk on tan wove paper mounted to thick paper board

Dimensions Sheet: 11 3/4 × 7 3/4 inches (29.8 × 19.7 cm) Framed: 19 1/4 × 15 1/8 × 1 3/16 inches (48.9 × 38.4 × 3 cm)

Classification Drawings

Department Prints, Drawings & Photographs

Credit Founders Society Purchase, Merrill Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 51.223

Markings

Signed Signed, in pencil, lower right, verso: J. M. Whistler

Inscriptions Inscribed, in pencil, upper center, verso: S9593 | 327 Whistler Inscribed, upper right: green gold

Provenance

Dowdeswell and Dowdswell Gallery (London, England)

Alberto Giovanelli, Conte Labia [1876-1937] on December 8, 1949, sold at auction at Galleria Guglielmi, Milan

(Macbeth Gallery, New York, New York, USA)

1951-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

La Quadreria antico e dell ‘800 nelle raccolte Principe Giovanelli, Conte Labia, eredi Addeo. Sales cat., Galleria Guglielmi. Milan, 1949, no. 219.

Expatriates: Whistler, Cassatt, Sargent. Exh. cat., Munson-Williams-Proctor Institute. Utica, 1953, no. 40.

MacDonald, Margaret F. James McNeill Whistler: Drawings, Pastels, and Watercolours, A Catalogue Raisonné. New Haven, 1995, p. 105, no. 324 (ill.).

James McNeill Whistler Retrospective. Exh. cat., The National Museum of Modern Art. Kyoto, 2014, no. 95.

MacDonald, Margaret F. The Woman in White: Joanna Hiffernan and James McNeill Whistler. Exh. cat., National Gallery of Art, Washington and Royal Academy of Arts, London. New Haven and London, 2020, p. 102, pl. 37 (ill.).

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Catalogue Raisoneé

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Credit Line for Reproduction

James Abbott McNeill Whistler, In the Studio, 1865, watercolor, gouache, and black chalk on tan wove paper mounted to thick paper board. Detroit Institute of Arts, Founders Society Purchase, Merrill Fund, 51.223.