Sugar Urn

ca. 1790

Benjamin Pierpont American, 1730-1797

On View

American: Whitby Hall, Corrider Gallery, Level 2, West Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Credit Line for Reproduction

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About the Artwork

Title Sugar Urn

Artwork Date ca. 1790

Artist Benjamin Pierpont

Life Dates 1730-1797

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Silver

Dimensions Overall: 10 1/4 × 4 3/8 inches (26 × 11.1 cm)

Classification Silver

Department American Art before 1950

Credit Founders Society Purchase with funds from Robert H. Tannahill

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 58.335

Markings

Signed Signed, on base: B. Pierpont [typically in a rectangle. Initial and surname sometimes separated by a pellet or a small star-like (maybe sun) symbol]

Inscriptions ------

Provenance

1958-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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