Sunflowers

1932

Emil Nolde German, 1867-1956

On View

Modern, Level 2, North Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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About the Artwork

Title Sunflowers

Artwork Date 1932

Artist Emil Nolde

Life Dates 1867-1956

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. German

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 29 × 35 inches (73.7 × 88.9 cm) Framed: 35 1/2 × 41 3/4 × 3 inches (90.2 × 106 × 7.6 cm)

Classification Paintings

Department European Modern Art to 1970

Credit Gift of Robert H. Tannahill

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 54.460

Markings

Signed Signed, lower center: Emil Nolde

Inscriptions Inscribed, on verso across top of stretcher: Emil Nolde: Reife Sonnenblumen

Provenance

1935-July 7, 1937, Nationalgalerie (Kronprinzenpalais), Berlin (Berlin, Germany)

July 7, 1937, confiscated by the German Reich (Deutsches Reich)/The Reich Ministry of Public Enlightenment and Propaganda (Reichsministerium für Volksaufklärung und Propaganda), Berlin, Germany as “degenerate art [“Entartete Kunst,” no. 16130]

May 24, 1939, consigned to (Buch- und Kunsthandlung Karl Buchholz, Berlin, Germany)

by 1939, transferred to (Curt Valentin, Buchholz Gallery, New York, New York, USA)

1939-1940, purchased by Robert H. Tannahill [1893-1969] (Grosse Pointe Farms, Michigan, USA)

1940-1954, on long term loan from Robert H. Tannahill (Grosse Pointe Farms, Michigan, USA) to the Detroit Institute of Arts (Detroit, Michigan, USA)

1954-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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