Before Sunrise, June

1905

Dwight William Tryon American, 1849-1925

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Provenance

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Exhibition History

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Published References

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About the Artwork

Title Before Sunrise, June

Artwork Date 1905

Artist Dwight William Tryon

Life Dates 1849-1925

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 20 × 30 inches (50.8 × 76.2 cm) Framed: 36 × 46 × 5 1/2 inches (91.4 × 116.8 × 14 cm)

Classification Paintings

Department American Art before 1950

Credit Detroit Museum of Art Purchase, Picture Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 06.6

Markings

Signed Signed and dated, lower right: D. W. TRYON 1905

Inscriptions ------

Provenance

New Montross Gallery

1906-present, purchase by the Detroit Museum of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Burroughs, Clyde H. “Acquisitions—Contemporary American Art [sic].” Bulletin of the DMA 1, 10 (April 1906): p. 4.

Burroughs, Clyde H. “Dwight W. Tryon.” Bulletin of the DMA 1, 15 (October 1907): p. 3 (ill.).

Caffin, Charles H. The Art of Dwight W. Tryon, An Appreciation. New York, 1909, p. 119 (ill.).

Exhibition of Oriental and American Art. Exh. cat., Alumni Memorial Hall, University of Michigan. Ann Arbor, 1910, no, 65.

Burroughs, Clyde H. “Contemporary American Art—D. W. Tryon.” Bulletin of the DMA 7, 3 (July 1913): pp. 55-56 (ill.).

Bryant, Lorinda Munson. What Pictures to See in America. New York, 1915, p. 237 (fig. 150).

Exhibition of American Paintings from Colonial Times Until Today. Exh. cat., Museum of Art. Saginaw, MI, 1948, no. 59.

Late 19th Century American Minimal Landscapes (Some Quietest Painters). Exh. cat., Hathorn Gallery, Skimore College. Saratoga Springs, NY, 1970, no. 15 (ill.).

The Color of Mood: American Tonalism, 1880-1910. Exh. cat., M.M. De Young Memorial Museum. San Francisco, 1972, no. 41.

Hayward, Mary Ellen. “The Influence of the Classical Oriental Tradition on American Painting.” Winterthur Portfolio 14 (Summer 1979): pp. 123-124 (ill.).

Pyne, Kathleen. “Classical Figures, a Folding Screen by Thomas Dewing.” Bulletin of the DIA 59, 1 (Spring 1981): p. 18 (ill.).

Masterpieces from the Detroit Institute of Arts. Exh. cat., Bunkamura Museum of Art. Tokyo, 1989, no. 70 (ill.).

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