Thomas Grove of Ferne, Wiltshire

1788

George Romney English, 1734-1802

On View

British, Level 3, South Wing

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Provenance

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Exhibition History

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Published References

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About the Artwork

Title Thomas Grove of Ferne, Wiltshire

Artwork Date 1788

Artist George Romney

Life Dates 1734-1802

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. English

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 49 × 39 inches (124.5 × 99.1 cm) Framed: 62 1/2 × 54 1/4 × 4 inches (158.8 × 137.8 × 10.2 cm)

Classification Paintings

Department European Painting

Credit Gift of Mr. and Mrs. Frederick Ford, Sr.

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 78.81

Markings

Inscriptions ------

Provenance

Thomas Grove (Ferne, near Shaftesbury, Wiltshire, England)

by descent to Sir Thomas Grove

until 1910, by descent to Sir Walter Grove

by 1926, John B. Ford (Detroit, Michigan, USA)

by descent to Frederick Ford (Grosse Pointe Farms, Michigan, USA)

1978-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Ward, H. and W. Roberts. Romney. New York, 1904, vol. 2, p. 67.

Graves, A. Century of Loan Exhibitions. London, 1881, p. 117.

Chamberlalin, A. George Romney. New York, 1910, pp. 334-335, and pl. LX;

English Paintings. Exh. cat., Detroit Institute of Arts. Detroit, 1926, no. 44.

The Second Loan Exhibition of Old Masters British Paintings of the Late Eighteenth and Early Nineteenth Centuries. Exh. cat., Detroit Institute of Arts. Detroit, 1926, cat. 44.

Fifth Loan Exhibition of Old and Modern Masters. Exh. cat., Detroit Institute of Arts. Detroit, 1927, p. 37, cat. 64.

Masterpieces of Painting from Detroit Private Collections. Exh. cat., Detroit Institute of Arts. Detroit, 1949, no. 28. [as "Man in a Red Coat"]

Hawkins, D. "Sparing the Rod." Country Life, April 2, 1981 pp. 891-892 (ill.).

Maclean-Eltham, B. George Romney Paintings in Public Collections. Kendal, Cumbria, 1996, p. 31. [dated 1788]

Kidson, Alex. George Romney: A Complete Catalogue of His Paintings, vol. 1. New Haven, 2015, pp. 263–264, no. 371 (ill.).

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