Tower at the Entrance of Marseilles

ca. 1836

Thomas Cole American, 1801-1848

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Tower at the Entrance of Marseilles

Artwork Date ca. 1836

Artist Thomas Cole

Life Dates 1801-1848

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Graphite pencil on off-white wove paper

Dimensions Sheet: 5 3/8 × 8 5/8 inches (13.7 × 21.9 cm)

Classification Drawings

Department Prints, Drawings & Photographs

Credit Founders Society Purchase, William H. Murphy Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 39.569.9

Markings

Inscriptions Inscribed, top right: Tower at the entrance of the | [illegible] of Marseilles

Provenance

1939-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Vittoria, Shannon. “Chronology.” Thomas Cole's Journey: Atlantic Crossings. Exh. cat., Metropolitan Museum of Art. New York, 2018, p. 249 (fig. 150).

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Catalogue Raisoneé

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Credit Line for Reproduction

Thomas Cole, Tower at the Entrance of Marseilles, ca. 1836, graphite pencil on off-white wove paper. Detroit Institute of Arts, Founders Society Purchase, William H. Murphy Fund, 39.569.9.