Vase

1903

Henry van de Velde Belgian, 1863-1957

On View

Modern, Level 2, North Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Vase

Artwork Date 1903

Artist Henry van de Velde

Life Dates 1863-1957

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Belgian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Glazed stoneware

Dimensions Overall: 9 × 7 inches (22.9 × 17.8 cm)

Classification Ceramics

Department European Sculpture and Dec Arts

Credit Gift of Patricia J. Shaw

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1996.273

Markings

Signed Signed, impressed: [van de Velde monogram]

Inscriptions ------

Marks Factory model mark, impressed: [Westerwald Art Pottery] Marks, incised: "2043 B"

Provenance

(Barry Friedman, Ltd.)

Mrs. Patricia J. Shaw (Chapel Hill, North Carolina, USA)

1996-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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