About the Artwork
Woman Sewing is typical of the work that Paxton was doing after 1910 when he turned his attention to the middle and servant classes. The model for this was a favorite of Paxton’s who appears in many other canvases. As with Dutch painting of the seventeenth century, which he greatly admired, there are often paintings within the painting that have a common relationship with the subject. Here, the painting on the wall is an earlier work employing the same model.
Woman Sewing
ca. 1913
William McGregor Paxton
1869-1941
American
Unknown
Oil on canvas
Unframed: 30 × 25 inches (76.2 × 63.5 cm) Framed: 42 9/16 × 37 9/16 × 3 inches (108.1 × 95.4 × 7.6 cm)
Paintings
American Art before 1950
Founders Society Purchase, Merrill Fund
21.70
Copyright not assessed, please contact [email protected].
Markings
Signed, upper right: PAXTON
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Provenance
William McGregor Paxton
1921-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
For more information on provenance and its important function in the museum, please visit:
Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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Suggest FeedbackPublished References
Seventh Annual Exhibition of Paintings by American Artists. Exh. cat., Detroit Institute of Arts. Detroit, 1921, no. 100.
A Visitor’s Guide, Detroit Institute of Arts. Detroit, 1995, p. 83 (ill.).
American Beauty: Painting and Sculpture from the Detroit Institute of Arts, 1770-1920. Exh. cat., Detroit Institute of Arts. Detroit, 2002, pp. 13-14, no. 6 (ill.).
Crane, Michael. Detroit's Annual Exhibition of American Art: The Foundation of a Collection. www.dia.org/research/online_publications/annual_american_art, 2005.
Faquin, Jane Ward. William McGregor Paxton and Elizabeth Okie Paxton: An Artistic Partnership. Exh. cat., Dixon Gallery and Gardens. Memphis, 2019, pp. 50-51, cat. 16 (ill.).
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Credit Line for Reproduction
William McGregor Paxton, Woman Sewing, ca. 1913, oil on canvas. Detroit Institute of Arts, Founders Society Purchase, Merrill Fund, 21.70.
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