Writing and Work Table

ca. 1755

Gaspard Feilt German, active in Paris ca. 1735-1763

On View

Fashionable Living, Level 3, South Wing

Writing and Work Table: 1 of Collection Gallery

Writing and Work Table: 2 of Collection Gallery

Writing and Work Table: 3 of Collection Gallery

Writing and Work Table: 4 of Collection Gallery

Writing and Work Table: 5 of Collection Gallery

Writing and Work Table: 6 of Collection Gallery

Writing and Work Table: 7 of Collection Gallery

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Writing and Work Table

Artwork Date ca. 1755

Artist Gaspard Feilt

Life Dates active in Paris ca. 1735-1763

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. German

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Amaranth, tulipwood, bois satiné, and other woods on oak carcass with gilt-bronze mounts

Dimensions Overall: 28 7/8 × 25 3/4 × 17 1/4 inches (73.3 × 65.4 × 43.8 cm)

Classification Furniture

Department European Sculpture and Dec Arts

Credit Bequest of Mrs. Horace E. Dodge in memory of her husband

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 71.200

Markings

Inscriptions ------

Marks Stamp, on underside of the back rail: G. FEILT and C.M. COCHOIS [three JME marks]

Provenance

Chilton House [possibly the Chilton House in Wiltshire that was demolished in 1965]

March 8, 1871, Chilton sale

Comte de Gramont (Paris, France)

June 15, 1934, (Galerie Jean Charpentier, Paris, France) lot 87

(Duveen Brothers, New York, New York, USA)

1935-1971, acquired through (Duveen Brothers, New York, New York, USA) by Anna Thomson Dodge (Grosse Pointe, Michigan, USA)

1971-present, bequest to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Duveen Brothers. A Catalogue of Works of Art of the Eighteenth Century in the Collection of Anna Thomson Dodge. Detroit, 1939, unpaginated.

Winokur, Ronald L. "The Mr. and Mrs. Horace E. Dodge Memorial Collection." Bulletin of the Detroit Institute of Arts 50, no. 3 (1971): pp. 43–51.

Dell, T., et al. The Dodge Collection of French and English Art at the Detroit Institute of Arts. New York and Detroit, 1996, pp. 38-40, no. 1 (ill.).

Secrest, Meryle. Duveen: a life in art. New York, 2004, p. 436.

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Catalogue Raisoneé

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Credit Line for Reproduction

Gaspard Feilt, Writing and Work Table, ca. 1755, amaranth, tulipwood, bois satiné, and other woods on oak carcass with gilt-bronze mounts. Detroit Institute of Arts, Bequest of Mrs. Horace E. Dodge in memory of her husband, 71.200.