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Hans Herrmann, A Bit of Amsterdam, 19th/early 20th Century, Gouache on paper . Detroit Institute of Arts.A Bit of Amsterdam
Hans Herrmann

A Bit of Amsterdam

between 1858 and 1907
Adam Elsheimer, Diana and Callisto, ca. 1606-08, White lead gouache and black wash on laid paper. Detroit Institute of Arts.Diana and Callisto
Adam Elsheimer

Diana and Callisto

between 1606 and 1608
Girolamo Mazzola Bedoli, Study for the Figure of the Virgin, Presbytery Frescoes, Parma Cathedral, 1538/1544, Pen and ink and wash over traces of charcoal (?) heightened with white gouache on pink prepared paper. Detroit Institute of Arts.Study for the Figure of the Virgin, Presbytery Frescoes, Parma Cathedral
Girolamo Mazzola Bedoli

Study for the Figure of the Virgin, Presbytery Frescoes, Parma Cathedral

between 1538 and 1544
Eugene Edouard Soules, Landscape, 19th Century, Graphite pencil, black crayon and white gouache on tan paper. Detroit Institute of Arts.Landscape
Eugène Edouard Soulès

Landscape

19th century
Unknown, Head of a Man Wearing a Cap, c. 1650, Gouache and watercolor with pen and black and brown ink over a preliminary drawing in graphite, with a decorative border of pen and black ink, on buff antique laid paper. Detroit Institute of Arts.Head of a Man Wearing a Cap
Unknown (Italian)

Head of a Man Wearing a Cap

ca. 1650
Felix Cavalli, Fantastic Landscape with Peddlars, 1793, Gouache and watercolor with pen and black and brown ink over a preliminary draeing in graphite, with a decorative border of pen and black ink, on buff antique laid paper`. Detroit Institute of Arts.Fantastic Landscape with Peddlars
Felix Cavalli

Fantastic Landscape with Peddlars

1793
Jules Adolphe Chauvet, The Entrance to the Ravine at Mostaganem, Algeria, early 19th/mid 20th Century, Pencil and white gouache on heavy tan wove paper. Detroit Institute of Arts.The Entrance to the Ravine at Mostaganem, Algeria
Jules Adolphe Chauvet

The Entrance to the Ravine at Mostaganem, Algeria

between early 19th and mid-20th century
Jean Alexander Allais, The Fortune Teller, 1814, Pen and black ink over pencil with gray wash and white gouache on tan wove paper. Detroit Institute of Arts.The Fortune Teller
Jean Alexander Allais

The Fortune Teller

1814
Michel Corneille the Younger, Breaking Ground for the Erection of the Cross, c. 1680, Pen and brown ink with brown wash with white gouache over graphite grid on blue laid paper.. Detroit Institute of Arts.Breaking Ground for the Erection of the Cross
Michel Corneille the Younger

Breaking Ground for the Erection of the Cross

ca. 1680
Hayley Lever, The Wharf, Gloucester, c. 1915/1918, Gouache and watercolor over black crayon or charcoal on brown wove paper. Detroit Institute of Arts.The Wharf, Gloucester
Hayley Lever

The Wharf, Gloucester

between 1915 and 1918
Gifford Reynolds Beal, Central Park, 1916, Watercolor and gouache. Detroit Institute of Arts.Central Park
Gifford Reynolds Beal

Central Park

1916
Woodman Striding
Nancy Mitchnick

Woodman Striding

1988

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