MAR. 15 - Jul. 12, 2015
Diego Rivera and Frida Kahlo were an explosive couple. He carried a pistol. She carried a flask. He romanticized Detroit. She rejected it. But what they shared was a belief in communism, a thirst for tequila and a passion for each other. Discover how they left their mark on Detroit.
Eleonora of Toledo and Her Son, c. 1545/1550
“I have always loved Eleonora of Toledo and Her Son (Bronzino and Workshop) because she epitomizes a strong female image at a time when women were routinely kept backstage. She wears her jewels and that amazing dress effortlessly, quietly projecting her status. She keeps her son close at her side, yet another power statement of her time. And if you look very closely, you can see a bit of grime under her fingernails, which completely humanizes her for me. I remember walking through the National Gallery one afternoon and literally bumping into another portrait of Eleonora. She had aged a few years, but she was still my friend from the DIA!”
Annmarie Erickson, Executive Vice President & Chief Operating Officer
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- The summer DFT season kicks off 6/5 w/ an outdoor screening of Kahlil Gibran’s The Prophet, part of @CinetopiaMI! http://t.co/98eAwwSUTO5/24/2015 6:11:23 PM
- RT @nytimesphoto: Frida Kahlo and her plants — indivisible, in life and in art. http://t.co/j0zKRIA1Eo http://t.co/FebVZRhXuh5/24/2015 6:07:41 PM
- The summer DFT season kicks off 6/5 w/ an outdoor screening of Kahlil Gibran’s The Prophet!, part of @CinetopiaMI! http://t.co/98eAwwSUTO5/24/2015 1:34:49 PM
- The DIA Blog — Explore the museum like never before, through the eyes of museum staff.
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