Georg Kolbe’s work carries the emotional intensity of the German Expressionists, but his sources are in the French sculpture of the early modern period of Rodin and Maillol. Like Maillol, he preferred the nude figure—generally in quiet, contemplative poses as seen here. His capacity to synthesize anatomy and to reduce salient forms to masses and planes lend a mannered grace to this elongated figure.
Artist Georg Kolbe, German, 1877-1947
Title
  • Assunta
Date 1921
Medium bronze
Dimensions Overall: 76 3/4 × 15 1/2 × 17 1/2 inches (194.9 × 39.4 × 44.5 cm)
Including base: 77 1/2 × 30 5/8 × 30 5/8 inches (196.9 × 77.8 × 77.8 cm)
Credit Line City of Detroit Purchase
Accession Number 29.331
Department European Modern Art to 1950
On View Modern N230.2, Level 2 (see map)
Signed Signed, on base, behind left foot: G K
(Alfred Flechtheim Gallery);
1929-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
Heller, R. Apollo 99, p. 51 (ill. fig. 2).

Bulletin of the DIA 11, no. 5, p. 63.

German Painting and Sculpture. Exh. cat., Museum of Modern Art. New York, 1931, no. 108.

Haftman, W., A. Hentzen, and W.S. Lieberman. German Art of the 20th Century. Exh. cat., Museum of Modern Art. New York, 1957, no. 104.

Modern Sculpture, Exh. cat., Detroit Institute of Arts. Detroit, 1950, pp. 24-25 (ill.).

Fifty Years of Modern Art: 1916-1966. Exh. cat., Cleveland Museum of Art. Cleveland, 1966, no. 21 (ill.).

The Modern Art Society. Exh. cat., Contemporary Arts Center. Cincinnati, p. 47 (ill.).

Uhr, H. Masterpieces of German Expressionism at the Detroit Institute of Arts. Detroit, 1982, p. 132 (ill.).