The raw emotional power of Goodman’s work sets her apart from others of the Cass Corridor group. Her paintings from the early 1970s are characterized by cryptic images, particularly organic shapes suggestive of body parts. These recurring symbols, set in fantastic combinations, explore the anxiety of living in a threatening city as well as hinting at personal tragedy.
Details
Artist | Brenda Goodman, American, born 1943 |
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Title |
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Date | 1974 |
Medium | oil and pencil on canvas |
Dimensions | Unframed: 66 × 51 inches (167.6 × 129.5 cm) Framed (slat frame): 66 1/2 × 51 1/2 inches (168.9 × 130.8 cm) |
Credit Line | Founders Society Purchase, Mr. and Mrs. Conrad H. Smith Memorial Fund and the Gertrude Kasle Gallery |
Accession Number | 74.183 |
Department | Contemporary Art after 1950 |
Not On View |
Signed, Marks, Inscriptions
Signed | Signed and dated, lower right: B. Goodman '74 |
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Provenance
1974-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
Published References
Bulletin of the DIA 54, 2 (1975): p. 114.
Arts and Crafts in Detroit. Exh. cat., Detroit Institute of Arts. Detroit, 1976, p. 232, no. 299 (ill.).
"Family Art Game." DIA Advertising Supplement. Detroit News/Detroit Free Press (April 18, 1982): p. 37 (ill.).
"Family Art Game." DIA Advertising Supplement. Detroit News (April 29, 1984): p. 17 (ill.).
Bulanda, George. "The Cat Approaches." Hour Detroit (April 2012): p. 33.
Arts and Crafts in Detroit. Exh. cat., Detroit Institute of Arts. Detroit, 1976, p. 232, no. 299 (ill.).
"Family Art Game." DIA Advertising Supplement. Detroit News/Detroit Free Press (April 18, 1982): p. 37 (ill.).
"Family Art Game." DIA Advertising Supplement. Detroit News (April 29, 1984): p. 17 (ill.).
Bulanda, George. "The Cat Approaches." Hour Detroit (April 2012): p. 33.