Doubting Thomas

between late 18th and early 19th century

François-Xavier Fabre French, 1766-1837

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Doubting Thomas

Artwork Date between late 18th and early 19th century

Artist François-Xavier Fabre

Life Dates 1766-1837

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Pen and brown ink on cream laid paper

Dimensions Sheet: 6 1/2 × 8 5/8 inches (16.5 × 21.9 cm)

Classification Drawings

Department Prints, Drawings & Photographs

Credit Gift of Mrs. James E. Scripps

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 09.1SDR139

Markings

Inscriptions ------

Marks Stamp, lower right, in purple ink: J. Peoli (Lugt 2020)

Provenance

J.J. Peoli (New York, New York, USA)

May 8, 1894, sold by (American Art Association, New York, New York, USA) no. 39 (as by Guercino [q.v].)

1894-1906, James E. Scripps (Detroit, Michigan, USA)

1906-1909, Mrs. James E. Scripps (Detroit, Michigan, USA)

1909-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

French Drawings and Watercolors from Michigan Collections. Exh. cat., Detroit Institute of Arts. Detroit, Michigan, 1962, no. 22 (as by Callet).

Italian, French, English, and Spanish Drawings and Watercolors. Cat., Detroit Institute of Arts. New York, 1992, p. 206-207, no. 96 (as by Gamelin).

Neo-Classicism: Style and Motif. Exh. cat., Cleveland Museum of Art. Cleveland, 1964, no. 39 (ill.) (as by Callet).

Rosenberg, Pierre, trans. Catherine Johnson. French Master Drawings of the Seventeenth and Eighteenth Centuries in North American Collections. Exh. cat., Art Gallery of Ontario. Toronto and London, 1972, pp. 15-55, no. 52 (pl. 124) (as by Gamelin).

Scheyer, Ernst. "French Drawings of the Great Revolution and the Napoleonic Era." The Art Quarterly 4 (1941): pp. 187-204, p. 197 (fig. 6) (as by Callet).

Swarzenski, Georg. Franzöische Meister des Achtzehnten Jahrhunderts, Facsimilies nach Zeichnungen und Aquarellen. Munich, 1921 (as by Clodion).

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Catalogue Raisoneé

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Credit Line for Reproduction

François-Xavier Fabre, Doubting Thomas, between late 18th and early 19th century, pen and brown ink on cream laid paper. Detroit Institute of Arts, Gift of Mrs. James E. Scripps, 09.1SDR139.