About the Artwork
The Ford and Halt of the Travelers
ca. 1650
Jan Dirksz Both
ca. 1618-1652
Dutch
Unknown
Oil on canvas
Unframed: 41 5/8 × 52 inches (105.7 × 132.1 cm) Framed: 52 3/4 × 62 3/4 × 3 5/8 inches (134 × 159.4 × 9.2 cm)
Paintings
European Painting
Gift of Mrs. William D. Vogel in memory of her father, Ralph Harman Booth
54.441
This work is in the public domain.
Markings
Signed, lower left corner: Both
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Provenance
1777, John Astley (London, England)
1777, sold in (London, England) auction J. Astley [for 187-06-00]
before 1786-1795, (Noel Joseph Desenfans, London, England)
1802, sold in (London, England) auction N. Desenfans [for 115-10-00]
1802-after 1854, J.J. Martin (Ham Court, Upton on the Severn, Worcestershire, England)
by descent to G. Martin (Ham Court, Upton on the Severn, Worcestershire, England)
by descent to E. Bromley Mortin (Ham Court, Upton on the Severn, Worcestershire, England)
December 4, 1925, sold by (Christie's, London, England) auction E. Bromley Martin, lot 9 [for 178-10-00]
1925, purchased by (Horace Buttery, London, England)
Ralph Harman Booth (Detroit, Michigan, USA)
by descent to Mrs. William D. Vogel (Milwaukee, Wisconsin)
1954-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)
For more information on provenance and its important function in the museum, please visit:
Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
We welcome your feedback for correction and/or improvement.
Suggest FeedbackPublished References
Smith, J. Catalogue Raisonné, vol. 6. London, 1829, no. 29.
Waagen, G. Treasures of Art in Great Britain, vol. 3. London, 1854-1857, p. 224.
Exh. cat., British Institution. London, 1850, no. 43.
Exh. cat., British Institution. London, 1862, cat. 10.
Graves. 1913, vol. 1, p. 85.
Hofstede de Groot, C. Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 9. London, 1927, no. 78. [German edition, p. 444, no. 78.]
Ninth Loan Exhibition of Dutch Genre and Landscape Painting of the Seventeenth Century. Exh. cat., Detroit Institute of Arts. Detroit, 1929, p. xii, cat. 8.
Richardson, E.P. Detroit Institute of Arts Catalogue of Paintings. Detroit, 1944, no. 430.
Stechow, W. "Jan Both and Dutch Italianate Landscape Painting." Magazine of Art (March 1953) pp. 131-136, (ill.) p. 131.
Bulletin of the DIA 34, no. 1 (1954-1955): p. 11, (ill.) p. 10.
"A Dutch Seventeenth Century Landscape." Connoisseur 135 (June 1955) p. 283 (ill.).
Burke, J. Jan Both. New York, 1976, p.193, no. 19 (fig. 19).
Masterpieces from The Detroit Institute of Arts. Exh. cat., Bunkamura Museum of Art, et al. Tokyo, 1989, pp. 60, 207-208, cat. 28 (ill.).
Great Dutch Paintings from America. Exh. cat., Mauritshuis, et al. The Hague, 1990, pp. 180-185, cat. 11 (ill.).
Keyes, George S. et al. Masters of Dutch Painting: The Detroit Institute of Arts. London, 2004, pp. 38–39, no. 12 (ill.).
Keyes, G.S. "A Brief History of the European Paintings Collection at the Detroit Institute of Arts with a Focus on the Dutch School." in the catalogue for The European Fine Art Fair (TEFAF). Maastricht, 2005, pp. 10-15, pp. 14-15. [incorrectly states that it entered the collection in the 1960s.]
Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.
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Credit Line for Reproduction
Jan Dirksz Both, The Ford and Halt of the Travelers, ca. 1650, oil on canvas. Detroit Institute of Arts, Gift of Mrs. William D. Vogel in memory of her father, Ralph Harman Booth, 54.441.
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