Log Jam, Penobscot Bay

1940-1941

Marsden Hartley American, 1877-1943

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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About the Artwork

Title Log Jam, Penobscot Bay

Artwork Date 1940-1941

Artist Marsden Hartley

Life Dates 1877-1943

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on masonite

Dimensions Unframed: 30 1/16 × 40 7/8 inches (76.4 × 103.8 cm) Framed: 37 3/4 × 47 3/4 × 2 1/4 inches (95.9 × 121.3 × 5.7 cm)

Classification Paintings

Department American Art before 1950

Credit Gift of Robert H. Tannahill

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 44.5

Markings

Signed Signed and dated, lower right: MH | 40-41

Inscriptions ------

Provenance

Paul Rosenberg and Company (New York, New York, USA). 1944-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Marsden Hartley. Exh. cat., The Macbeth Gallery. New York, 1942, no. 17.

Marsden Hartley/Lyonel Feininger. Exh. cat., The Museum of Modern Art. New York, 1944, p. 87 (ill.).

Valentiner, William R. “ Log Jam, by Marsden Hartley.” Bulletin of the DIA 23, 4 (January 1944): 33 (ill. b & w).

Phillips, Duncan. "Marsden Hartley." Magazine of Art 37 (March 1944): p. 85.

Marsden Hartley. Exh. cat., The Arts Club of Chicago. Chicago, 1956, no. 4.

25 Years of American Painting, 1933-1958. Exh. cat., Palazzo Reale. Naples, 1959, cat. 32.

20th Century American Painting. Exh. cat., The Grand Rapids Art Museum. Grand Rapids, 1967, no. 12 (ill.).

Hartley: Painter Poet. Exh. cat., The Fisher Galleries of Art. Los Angeles, 1968, no. 101.

Marsden Hartley. Exh. cat., Whitney Museum of American Art. New York, 1970, cat. 93.

Landscape in Maine, 1820-1970. Exh. cat., The Colby College Art Museum. Waterville, ME, 1970, p. 80 (ill.).

Mendelowitz, D. M. A History of American Art. New York, 1970, p. 398 (fig. 538).

Henshaw, Julia. The Detroit Institute of Arts: A Visitor’s Guide. Detroit, 1995, p. 280 (ill.).

Wilkin, Karen, Stephen Bennett Phillips, and Charles H. Sawyer. Degas to Matisse: Impressionist and Modern Masterworks from the Detroit Institute of Arts. Exh. cat., The Phillips Collection. Washington, D.C., 2000.

Burdan, Amanda C. Rural Modern: American Art Beyond the City. Exh. cat., Brandywine River Museum of Art. Chadds Ford, Pennsylvania, 2016, pp. 23-24 (fig. 14).

Marsden Hartley's Maine. Exh. cat., Metropolitan Museum of Art. New York, 2017, p. 116, fig. 98 (as Logjam, Penobscot Bay).

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