• About the Artwork

    Please note: This section is empty

  • Markings

    Please note: This section is empty

    This section contains information about signatures, inscriptions and/or markings an object may have.

  • Provenance

    Please note: This section is empty

    Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

    For more information on provenance and its important function in the museum, please visit:

  • Exhibition History

    Please note: This section is empty

    The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

    We welcome your feedback for correction and/or improvement.

  • Published References

    Please note: This section is empty

    We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

  • Catalogue Raisonné

    Please note: This section is empty

    A catalogue raisonné is an annotated listing of artworks created by an artist across different media.

  • Credit Line for Reproduction

    Please note: This section is empty

    The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

This impression is one of the twenty variants that Baselitz printed of the second state of this print. Undoubtedly Baselitz was inspired by his study of sixteenth-century Italian woodcuts, though he has warned against making any “serious comparison.” While in Florence in 1965, he began to collect mannerist prints created by masters of the chiaroscuro woodcut. Old master prints of this type line the walls of a long gallery in his home.

L.R.

1966

Georg Baselitz

born 1938

German

Unknown

Woodcut printed in black, gray-green and purple ink on ivory laid paper

Block: 16 1/2 × 13 inches (41.9 × 33 cm) Sheet: 17 3/4 × 13 3/4 inches (45.1 × 34.9 cm)

Prints

Prints, Drawings & Photographs

Founders Society Purchase, Benson and Edith Ford Fund and Mr. and Mrs. Walter Buhl Ford II Fund

F1988.4

Copyright not assessed, please contact [email protected].

Markings

Signed in pencil, lower right: Baselitz

Dated, lower right: 66

Provenance

1988-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

George Baselitz Sculpture and Early Woodcuts. Exh. cat, Anthony d'Offay Gallery. London, 1988, 2b.

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

Georg Baselitz, L.R., 1966, woodcut printed in black, gray-green and purple ink on ivory laid paper. Detroit Institute of Arts, Founders Society Purchase, Benson and Edith Ford Fund and Mr. and Mrs. Walter Buhl Ford II Fund, F1988.4.

L.R.
L.R.