New England Landscape

between 1965 and 1967

George Morrison Ojibwa, Native American, 1919 - 2000

On View

Native American, Level 1, South Wing

Image Only Image + Details All Images High Resolution TIFF Metadata

About the Artwork

Please note: This section is empty
Markings

Please note: This section is empty

This section contains information about signatures, inscriptions and/or markings an object may have.
Provenance

Please note: This section is empty

Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:
Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.
Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.
Catalogue Raisonné

Please note: This section is empty

A catalogue raisonné is an annotated listing of artworks created by an artist across different media.
Credit Line for Reproduction

Please note: This section is empty

The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

The coastline near Provincetown, Rhode Island, where George Morrison summered at an artist colony during the 1960s, reminded him of his childhood on the Grand Portage Reservation on the northern shore of Lake Superior in Minnesota. The memory prompted Morrison to resume a favorite pastime from his youth—beachcombing—but now he assembled the weathered, water-washed driftwood that he collected into oblong abstract assemblages. New England Landscape is one of the first known examples of a concept that Morrison continued to explore throughout his career. With their varied colors and surfaces, the fragments of wood resemble geological striations, but the overall effect is of the essential triad of earth, water, and sky. Morrison believed that each piece of wood carried a distinct history, and although in later works he cut and even weathered the wood himself, in this early work the components are pristine, incorporated just as he found them. From Bulletin of the Detroit Institute of Arts 89 (2015)

Title New England Landscape

Artwork Date between 1965 and 1967

Artist George Morrison

Life Dates Native American

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Native american

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Ojibwa

Medium Wood

Dimensions Overall: 48 × 120 × 2 5/8 inches (121.9 × 304.8 × 6.7 cm) weight : 200 Lbs

Classification Sculpture

Department Indigenous Americas

Credit Museum Purchase, W. Hawkins Ferry Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 2006.108

Markings

Inscriptions ------

Provenance

possibly (Todd Bockley, Bockley Gallery, Minneapolis, Minnesota, USA)

Leonard Whiting (London, England)

2006-present, purchased 2006 by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback