About the Artwork
The title alludes to the invasion of Italy by the Normans in medieval times. The large wedge bears down on the conical base, but the squared ring between them resists its force. Beverly Pepper began her career as a painter while living as an expatriate in Rome. Later, an intense visit to Angkor Wat inspired, and old tree trunks in her garden encouraged, the artist’s first forays into sculpture. Yet her real breakthrough came with the possibility of working with industrial steel at the Italsider plant in Piombino, Italy.
Normanno Wedge I
1983
Beverly Pepper
1922 - 2020
American
Unknown
Cor-ten steel
Overall: 17 feet × 69 inches × 9 3/4 inches (5 m 18.2 cm × 175.3 cm × 24.8 cm)
Sculpture
Contemporary Art after 1950
Founders Society Purchase, W. Hawkins Ferry Fund, and funds from Byron and Dorothy Gerson, Jerome and Margot Halperin, Maxwell and Marjorie Jospey, and William M. and Janis Wetsman
1991.167
© Beverly Pepper, courtesy Marlborough Gallery, New York
Markings
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Provenance
1983, made at the New Haven Art Fabricators, Inc. foundry (New Haven, Connecticut, USA)
installed on Top Gallant Farm (Pawling, New York, USA)
1991-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
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Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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Suggest FeedbackPublished References
Virshup, Amy. "Andre Emmerich's Secret Garden." Manhattan Inc. 6, no. 8 (August 1989): pp. 3 (ill.), 86-90.
Nawrocki, Dennis Alan. Art in Detroit Public Places. Detroit, 2008, p. 74.
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Credit Line for Reproduction
© Beverly Pepper, courtesy Marlborough Gallery, New York
Beverly Pepper, Normanno Wedge I, 1983, Cor-Ten steel. Detroit Institute of Arts, Founders Society Purchase, W. Hawkins Ferry Fund, and funds from Byron and Dorothy Gerson, et al., 1991.167.
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