About the Artwork
Nymphs Adorning Love with Flowers
1796
Joseph Marie Vien
1716-1809
French
Unknown
Pen and black ink and brown wash on off-white laid paper
Sheet: 8 × 11 5/16 inches (20.3 × 28.7 cm) Mount: 12 9/16 × 15 7/8 inches (31.9 × 40.3 cm)
Drawings
Prints, Drawings & Photographs
Founders Society Purchase, William H. Murphy Fund
34.135
This work is in the public domain.
Markings
Signed and dated, in pen and black ink, left (below niche), on mount: Vien 1796
Inscribed, in pen and black ink, lower center, on mount: L'Amour Paré pour son Triomphe. Inscribed, in pencil, lower left, on mount: Vein [underscored] (1716 - 1809) Inscribed, in pencil, lower left corner, on mount: 11 Inscribed, in pen and black ink, lower right corner, on mount, verso: 556 [in circle] Inscribed, in pencil, lower left corner, on mount, verso: 556 [underscored]
Provenance
Edward Speelman (London, England)
1934-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
For more information on provenance and its important function in the museum, please visit:
Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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Suggest FeedbackPublished References
Breazcale, Mary K. "The Art of Joseph Marie Vein." Ph.D diss., University of Chicago, 1980, p. 485.
Gaehtgens, Thomas W. and Jacques Lugand. Josephe Marie Vein, Peinture du Roi, 1716-1809. Paris, 1988, no. 163, p. 225.
Hawley, Henry. Neo-Classicism: Style and Motif. Exh. cat., Cleveland Museum of Art. Cleveland, 1964, no. 31 (ill.).
Italian, French, English, and Spanish Drawings and Watercolors. Cat., DIA. New York, 1992, pp. 234-225, no. 112.
Le Néo-Classicisme Français. Dessins des Musées de Province. Exh. cat., Grand Palais. Paris, 1974, p. 122.
Rosenberg, Pierre, and Antoine Schnapper. Choix des dessins anciens. Exh. cat., Bibliothèque Municipale. Rouen, 1970, no. 48.
Scheyer, Ernst. "French Drawings of the Great Revolution and the Napoleonic Era." The Art Quarterly 4 (1941): pp. 187-204, p. 191 (fig. 1).
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Credit Line for Reproduction
Joseph Marie Vien, Nymphs Adorning Love with Flowers, 1796, pen and black ink and brown wash on off-white laid paper. Detroit Institute of Arts, Founders Society Purchase, William H. Murphy Fund, 34.135.
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