Plum Blossoms

Jeong Taekyu Korean, 19th century
Not On View
  • About the Artwork

    Please note: This section is empty

  • Markings

    Please note: This section is empty

    This section contains information about signatures, inscriptions and/or markings an object may have.

  • Provenance

    Please note: This section is empty

    Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

    For more information on provenance and its important function in the museum, please visit:

  • Exhibition History

    Please note: This section is empty

    The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

    We welcome your feedback for correction and/or improvement.

  • Published References

    Please note: This section is empty

    We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

  • Catalogue Raisonné

    Please note: This section is empty

    A catalogue raisonné is an annotated listing of artworks created by an artist across different media.

  • Credit Line for Reproduction

    Please note: This section is empty

    The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

During the Choson dynasty (1392–1910) in Korea, the ruling class consisted of scholar-officials trained in Chinese classics and Neo-Confucian philosophy. A scholar’s home would have contained a room filled with objects and works of art to aid his literary pursuits and signal his preference for simple elegance. This restrained and tasteful painting once hung in such a study. The plum blossom is one of the so-called four gentlemen, a group of plants that also includes the orchid, bamboo, and chrysanthemum, thought to embody Confucian ideals, and was therefore a common subject matter in scholar painting. Chong Tae-gyu was a specialist in plum blossom paintings. Because the plum tree blooms before the snow melts, it symbolizes strength and courage in adversity. Three inscriptions in Chinese praise the beauty of the plum blossom. The fan thus embodies the “three perfections”—poetry, calligraphy, and painting—considered essential accomplishments of a gentlemen-scholar. From Bulletin of the Detroit Institute of Arts 89 (2015)

Plum Blossoms

19th century

Jeong Taekyu

19th century

Korean

Unknown

Ink on paper

Overall: 61 × 40 1/4 × 1 1/2 inches (154.9 × 102.2 × 3.8 cm) Image: 16 1/2 × 30 1/2 inches (41.9 × 77.5 cm) Installed: 63 × 40 1/4 × 1 1/2 inches (160 × 102.2 × 3.8 cm)

Paintings

Asian Art

Founders Society Purchase, gift of Mr. and Mrs. Lawrence P. Fisher, by exchange

2000.89

This work is in the public domain.

Markings

Inscribed, throughout, in Chinese

Stamps, in red, at the beginning and end of each inscription: [six seals]

Provenance

until 1982, Joseph Breitenbach [Director, United Nations Photographic Mission-Korea, 1951-52] (New York, USA)

1982-2000, The Honorable Joseph P. Carroll, KM, and Professor Roberta L. Carroll, MD, (New York, New York, USA): 2000-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

Jeong Taekyu, Plum Blossoms, 19th century, ink on paper. Detroit Institute of Arts, Founders Society Purchase, gift of Mr. and Mrs. Lawrence P. Fisher, by exchange, 2000.89.

Plum Blossoms
Plum Blossoms