The Pool

1890s

John Henry Twachtman American, 1853-1902

On View

Modern, Level 2, North Wing

Image Only Image + Details All Images High Resolution TIFF Metadata

About the Artwork

Please note: This section is empty
Markings

Please note: This section is empty

This section contains information about signatures, inscriptions and/or markings an object may have.
Provenance

Please note: This section is empty

Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:
Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.
Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.
Catalogue Raisonné

Please note: This section is empty

A catalogue raisonné is an annotated listing of artworks created by an artist across different media.
Credit Line for Reproduction

Please note: This section is empty

The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Title The Pool

Artwork Date 1890s

Artist John Henry Twachtman

Life Dates 1853-1902

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 26 × 31 inches (66 × 78.7 cm) Framed: 33 9/16 × 38 5/8 × 3 1/8 inches (85.2 × 98.1 × 7.9 cm)

Classification Paintings

Department American Art before 1950

Credit Gift of Charles L. Freer

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 08.7

Markings

Signed Signed, lower right corner: J H Twachtman

Inscriptions ------

Provenance

John Henry Twachtman

1908, Charles Lang Freer

1908-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Fourth Annual Exhibition of Selected Paintings by American Artists. Exh. cat., City Art Museum. St. Louis, 1909, no. 170.

Burroughs, Clyde. “Two Notable Gifts.” Bulletin of the DMA 3, 1 (January 1909): pp. 1-3 (ill.).

Burroughs, Clyde. “J.H. Twachtman.” Bulletin of the DMA 7, 3 (July 1913): pp. 52-53 (ill.).

Catalogue of Paintings in the Permanent Collection of the Detroit Institute of Arts, Vol. 1. Detroit, 1930, no. 399 (ill.).

The More Important Paintings and Sculptures of the Detroit Institute of Arts of the City of Detroit. Detroit, 1937, p. 202 (ill.).

Hale, John Douglass. The Life and Creative Development of John H. Twachtman. Ph. D. diss., Ohio State University. Columbus, 1957, p.564, no. 473. [as Pool]

John Henry Twachtman: A Retrospective Exhibition. Exh. cat., Cincinnati Art Museum. Cincinnati, 1966, no. 68.

American Impressionist Painting. Exh. cat., National Gallery of Art. Washington, D.C., 1973, no. 63 (ill.).

Heritage and Horizon: American Paintings 1776-1976. Exh. cat., Albright-Knox Gallery. Buffalo, NY, 1976, no. 33 (ill.).

Boyle, Richard J. John Twachtman. New York, 1979, pp. 54-55, no. 17 (ill.).

Brunk, Thomas W. “A Note on Charles Lang Freer.” Bulletin of the DIA 59, 1 (1981): pp. 17-21 (ill.).

Color and Light: American Impressionist Paintings and Prints from Michigan Collections. Exh. cat., Grand Rapids Art Museum. Grand Rapids, 1984, no. 14, 16, 17 (ill.).

Peters, Lisa N. John Twachtman (1853-1902) and the American Scene in the Late Nineteenth Century: The Frontier within the Terrain of the Familiar. Ph. D. diss., City University of New York. New York, 1995, pp. 359, 497.

American Paintings in the Detroit Institute of Arts, Vol. 2. New York, 1997, p. 9.

American Beauty: Painting and Sculpture from the Detroit Institute of Arts, 1770-1920. Exh. cat., Detroit Institute of Arts. Detroit, 2002, p. 99, no. 72.

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback