Portrait of Sa'id Khan Zafarjang, Folio from the Late Shah Jahan Album (verso)

portrait ca. 1638-1650, borders between 1650 and 1658

Mughal, Indian

Not On View

Portrait of Sa'id Khan Zafarjang, Folio from the Late Shah Jahan Album (verso)

Portrait of Sa'id Khan Zafarjang, Folio from the Late Shah Jahan Album (verso): 1 of Collection Gallery

Portrait of Sa'id Khan Zafarjang, Folio from the Late Shah Jahan Album (verso): 2 of Collection Gallery

Portrait of Sa'id Khan Zafarjang, Folio from the Late Shah Jahan Album (verso): 3 of Collection Gallery

Portrait of Sa'id Khan Zafarjang, Folio from the Late Shah Jahan Album (verso): 4 of Collection Gallery

Portrait of Sa'id Khan Zafarjang, Folio from the Late Shah Jahan Album (verso): 5 of Collection Gallery

Portrait of Sa'id Khan Zafarjang, Folio from the Late Shah Jahan Album (verso): 6 of Collection Gallery

Portrait of Sa'id Khan Zafarjang, Folio from the Late Shah Jahan Album (verso): 7 of Collection Gallery

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About the Artwork

This man’s lavishly brocaded robes point to his high rank, and the round style of his turban suggests a link with the northwestern areas of the Mughal empire. He is likely Sa‘id Khan, a powerful commander honored with the title Zafarjang, meaning “victorious in battle.” Sa‘id Khan Zafarjang governed Kabul province for Emperor Shah Jahan, who commissioned the album to which this portrait was added in the 1650s. Artists then framed it with figures holding swords and shields—reinforcing the subject’s military identity.

Title Portrait of Sa'id Khan Zafarjang, Folio from the Late Shah Jahan Album (verso)

Artwork Date portrait ca. 1638-1650, borders between 1650 and 1658

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Indian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Mughal

Medium Opaque watercolor, ink, and gold on paper

Dimensions Overall: 15 3/16 × 9 7/8 inches (38.6 × 25.1 cm) Image: 8 1/4 × 4 3/8 inches (21 × 11.1 cm)

Classification Paintings

Department Islamic Art

Credit Museum Purchase, Robert H. Tannahill Foundation Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 2019.98.B

Markings

Inscriptions ------

Provenance

between 1650-58, commissioned by Mughal emperor Shah Jahan

1739, assumed to be looted by Afsharid ruler Nadir Shah and taken to Iran. late 19th century, taken to Russia by brother of Qajar ruler Nasir al-Din Shah

late 19th century, sold to Armenian dealer (Russia). 1909, purchased by (Georges Demotte [1877-1923], Paris, France). Leila Diba Collection (New York, New York, USA). Sarikhani Collection (London, England). Al Thani Collection (London, England and Paris, France)

consigned to (Christie's, New York, New York, USA)

2019-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Hillenbrand, Robert, et. al. The Sarikhani Collection: An Introduction. London, 2011, p. 17 [portrait only].

The Palace Museum and the Al Thani Collection. Treasures from the Al Thani Collection. Beijing, 2018, cat. no. 177, pp. 462-465.

Maharajas & Mughal Magnificence. Sales cat., Christie's. New York, 2019, lot no. 76, pp. 106–107.

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Catalogue Raisoneé

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Credit Line for Reproduction

Mughal, Indian, Portrait of Sa'id Khan Zafarjang, Folio from the Late Shah Jahan Album (verso), portrait ca. 1638-1650, borders between 1650 and 1658, opaque watercolor, ink, and gold on paper. Detroit Institute of Arts, Museum Purchase, Robert H. Tannahill Foundation Fund, 2019.98.B.