Saint Robert of Molesmes

ca. 1440

Enguerrand Quarton French, 1408-1466

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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About the Artwork

Title Saint Robert of Molesmes

Artwork Date ca. 1440

Artist Enguerrand Quarton

Life Dates 1408-1466

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Paint on wood panel

Dimensions Unframed: 24 1/4 × 12 7/8 inches (61.6 × 32.7 cm) Framed: 32 × 19 3/4 × 2 1/2 inches (81.3 × 50.2 × 6.4 cm)

Classification Paintings

Department European Painting

Credit Gift of Lillian Henkel Haass

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 46.299

Markings

Inscriptions Inscribed in gloriole, around head: SANTVS RVBERTVS THEOTONICVS FR Inscribed behind shoulders: S AN TVS R V B E RTVS

Provenance

by 1927, (Paul Bottenwieser, probably Berlin, Germany)

1928, collection of Mr. and Mrs. Julius H. Haass [Lillian Henkel] (Detroit, Michigan, USA) 1946-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Exhibition of French Primitive Painting. Exh. cat., Kleinberger Galleries. New York, 1927, cat. 14.

A Loan Exhibition of French Gothic Art. Exh. cat., DIA. Detroit, November 16-December 6, 1928, (unpaginated), cat. 2, (repr.) [lent by Mr. & Mrs. Julius H. Haass- as School of Provence, ca. 1440].

"Notes," International Studio (January 1929): p. 57, (repr.).

Valentiner, Wilhem R. "French School, about 1460." In Unknown Masterpieces, ed. Wilheim R. Valentiner. London, 1930, (unpaginated), no. 72 (ill.) [as by French School, dated about 1460].

Masterpieces of Art. Exh. cat., New York World's Fair. New York, 1939, cat. 127 [exh. organized by W. R. Valentiner].

Richardson, E. P. "An Early Work of Enguerrand Quarton," Art Quarterly, vol. 10, no. 2 (1947): pp. 114-123, (repr.).

Ring, G. A Century of French Painting, 1400-1500. London, p. 228, no. 230 [attributed to School of South Eastern France, c 1460].

Fredericksen, B. and F. Zeri. Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections. Cambridge, 1972, p. 92 [as Girolamo di Giovanni da Camerino, Italian, active 1450/73].

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