Storage Bag

ca. 1900

Ojibwa, Native American

Not On View

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Benedetto da Maiano, the leading Florentine sculptor in the 1480s and 1490s, created this partially painted terracotta relief as a preparatory model for the upper left central marble section of his famous altarpiece of the Annunciation in Sant’Anna dei Lombardi in Naples. The sculptor carved this in Florence with assistance from the young Michelangelo and sent it to Naples by September 1489. Terracotta models such as this one were often used by Renaissance sculptors to sketch out details of their finished works (note here the sensitive treatment of the faces and hands), but relatively few survive. Among the eight known terracotta models surviving from Benedetto’s career, this relief is one of the few to retain traces of its original paint surface. This is also the Detroit Institute of Art’s only documented Renaissance terracotta model for a marble.

Title Storage Bag

Artwork Date ca. 1900

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Native american

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Ojibwa

Medium Commercial plied wool yarn

Dimensions Overall: 17 × 19 3/4 inches (43.2 × 50.2 cm)

Classification Costume Accessories

Department Indigenous Americas

Credit Museum Purchase, Flint Ink Foundation and Edgar A.V. Jacobsen Acquisition Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 2006.6

Markings

Inscriptions ------

Provenance

John Baldwin (West Olive, Michigan, USA). Richard Pohrt, Jr.

2006-present, purchased 2006 by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

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We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

Suggest Feedback

Catalogue Raisoneé

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Credit Line for Reproduction

Ojibwa, Native American, Storage Bag, ca. 1900, commercial plied wool yarn. Detroit Institute of Arts, Museum Purchase, Flint Ink Foundation and Edgar A.V. Jacobsen Acquisition Fund, 2006.6.