View of the Grote Kerk in Haarlem

1695

Gerrit Adriaensz. Berckheyde Dutch, 1638-1698

On View

Dutch Golden Age, Level 3, South Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title View of the Grote Kerk in Haarlem

Artwork Date 1695

Artist Gerrit Adriaensz. Berckheyde

Life Dates 1638-1698

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Dutch

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 19 5/8 × 16 3/4 inches (49.8 × 42.5 cm) Framed: 26 3/4 × 23 5/8 × 2 1/2 inches (67.9 × 60 × 6.4 cm)

Classification Paintings

Department European Painting

Credit Gift of James E. Scripps

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 89.30

Markings

Signed Signed and dated, lower left: Gerrit Berckheyde f. 1695

Inscriptions ------

Provenance

Collection Corbett-Winder (Vaynor Park, Berriew, Wales)

April 6, 1889, auction (Christie's, London, England) lot 43

James E. Scripps (Detroit, Michigan, USA)

1889-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Detroit Museum of Art, Catalogue of the Scripps Collection. Detroit, 1889, p. 60, no. 72. [as Gerard Berkheyden]

"The Scripps Old Masters," The Collector 2, no. 13 (May 1, 1891): pp. 149-152, p. 149 [as by Gerard Berckheyden, “The Cathedral of St. Bavon, at Haarlem”].

Scripps, James E. Handbook of the Paintings Ancient and Modern, Belonging to the Detroit Museum of Art. Detroit, 1895, p. 34, no. 62 [as by Gerard Berkheyden, “The Groote Kerk, or Cathedral of St. Bavon, at Haarlem”].

Detroit Museum of Art, Handbook of Paintings by the Old Masters. Detroit, 1910, p. 43, no. 62.

Detroit Institute of Arts, Catalogue of Paintings, Sculpture, and Contemporary Arts and Crafts. Detroit, 1920, p. 44, no. 32.

Heil, W. Catalogue of Paintings in the Permanent Collection of the Detroit Institute of Arts. Detroit, 1930, no. 11 (ill.).

Richardson, E.P. "Architectural Painting in the Netherlands." Bulletin of the DIA 16 (1936-1937): pp. 106-113.

Richardson, E.P., ed. Detroit Institute of Arts, Catalogue of Paintings. Detroit, 1944, pp. 12-13, 157, no. 11 (ill.).

Fitzwilliam Museum, Catalgue of Paintings: Vol. 1, Dutch, Flemish, and German Schools. Cambridge, pp. 4-5, no. 44.

Haarlem: the Seventeenth Century. Exh. cat., Jan Voorhees Zimmerli Art Museum, Rutgers University. New Brunswick, 1983, p. 59, no. 9.

Davies, A.I. 16th and 17th-Century Dutch and Flemish Paintings in the Springfield Museum of Fine Arts. Springfield, 1993, p. 21, no. 1.

Bandes, Susan J. Pursuits and Pleasures: Baroque Paintings from the Detroit Institute of Arts. Exh. cat., Dennos Museum Center, Kalamazoo Art Museum, Kresge Art Museum, Muskegon Museum of Art. Battle Creek, 2003, pp. 10, 16-17 (ill.).

Keyes, George S. et al. Masters of Dutch Painting: The Detroit Institute of Arts. London, 2004, pp. 22–23, no. 5 (ill.).

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