The Virgin Enthroned with Saint Amadio and Saint Anthony

1529

Bagnacavallo (Bartolomeo Ramenghi) Italian, 1484-1542

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title The Virgin Enthroned with Saint Amadio and Saint Anthony

Artwork Date 1529

Artist Bagnacavallo (Bartolomeo Ramenghi)

Life Dates 1484-1542

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Italian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Paint on wood panel

Dimensions Unframed: 53 1/2 × 45 inches (135.9 × 114.3 cm) Framed: 64 1/2 × 55 3/4 × 4 1/2 inches (163.8 × 141.6 × 11.4 cm)

Classification Paintings

Department European Painting

Credit Gift of James E. Scripps

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 89.22

Markings

Signed Signed and dated, lower center: 1 5 2 9 BMEO RAMENCHI FECE

Inscriptions Inscribed, on pedestal, lower center: IO PIERO DE MEO DALA CEREGIA O FATA FARE QUESTA FIGVRA P(ER) MIA DEVOTIONE ADIVLTIMO DE NOVE(M)BRE 1 5 2 9 BMEO RAMENCHI FECE

Provenance

collection of Giuseppi Placidi (Rome)

late 1880's, purchased by James E. Scripps [1835-1906] (Detroit, Michigan, USA)

1889-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Scripps, J. Handbook of the paintings, ancient and modern, belonging to the Detroit Museum of Arts. Detroit, 1895, pp. 14-15, cat. 20.

Catalogue of the James E. Scripps Collection of Old Masters. DMA. Detroit, 1889, pp. 23-24, cat. 21, [as by Bartolommeo Ramenghi].

"The Scripps Old Masters," The Collector 2, no. 13 (May 1, 1891): pp. 149-152, p. 149 [as by Bartolommeo Ramenghi, called Bagnacavello].

Handbook of Paintings by the Old Masters. Detroit, 1910, pp. 22-23, cat. 20.

Burroughs, C. "A XIV Century Painting by Bartolommeo Ramenghi," Bulletin of the DIA 13, no. 7 (May 1919): pp. 58-9, (repr. on cover).

Burroughs, C. Catalogue of paintings, sculpture and contemporary arts and crafts. cat., DIA. Detroit, 1920, p. 36, no. 24.

Richardson, E. P., ed. DIA Catalogue of Paintings, 2nd ed. Detroit, 1944, pp. 7-8, no. 420.

Paintings in the DIA: a checklist of the paintings acquired before June 1965. DIA, Detroit, 1965, p. 10.

Fredericksen, B. & F. Zeri. Census of pre-19th century Italian paintings in North American Collections. Cambridge, 1972, p. 14 [as signed and dated 1529].

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Catalogue Raisoneé

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Credit Line for Reproduction

Bagnacavallo (Bartolomeo Ramenghi), The Virgin Enthroned with Saint Amadio and Saint Anthony, 1529, paint on wood panel. Detroit Institute of Arts, Gift of James E. Scripps, 89.22.