Alice Ozy

1848

Théodore Chassériau French, 1819-1856

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Alice Ozy

Artwork Date 1848

Artist Théodore Chassériau

Life Dates 1819-1856

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Graphite on cream laid paper

Dimensions Sheet: 10 5/8 × 6 11/16 inches (27 × 17 cm) Framed: 20 1/4 × 17 1/4 × 1 1/4 inches (51.4 × 43.8 × 3.2 cm)

Classification Drawings

Department Prints, Drawings & Photographs

Credit Bequest of John S. Newberry

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 65.142

Markings

Inscriptions Inscribed, in pencil, lower right: 1848

Provenance

Jean-Marc Gras

Georges Vicaire

Marcel Vicaire

John S. Newberry (Detroit, Michigan, USA)

1965-present, bequest to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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