Alma Hammond L'Hommedieu

modeled 1870 or 1871, carved 1873

Hiram Powers American, 1805-1873

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Markings

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Provenance

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About the Artwork

Title Alma Hammond L'Hommedieu

Artwork Date modeled 1870 or 1871, carved 1873

Artist Hiram Powers

Life Dates 1805-1873

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Marble

Dimensions Overall: 26 × 18 1/2 × 11 inches (66 × 47 × 27.9 cm)

Classification Sculpture

Department American Art before 1950

Credit Gift of Miss Alma L'Hommedieu

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 58.178

Markings

Signed Signed and inscribed, on back: H. Powers sculpt.

Inscriptions Inscribed, on back: H. Powers sculpt.

Provenance

Commissioned by Stephen Satterlee L'Hommedieu

1875, Alma Hammond L'Hommedieu (his widow,the sitter)

by descent to her granddaughter, Miss Alma l'Hommedieu

1958-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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