The Animal Tamers, from the "Grotesques" series

between 1689 and 1732

Jean Baptiste Monnoyer, Designer Beauvais Manufactory, Manufacturer

Not On View

Image Only Image + Details All Images High Resolution TIFF Metadata

About the Artwork

Please note: This section is empty
Markings

Please note: This section is empty

This section contains information about signatures, inscriptions and/or markings an object may have.
Provenance

Please note: This section is empty

Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:
Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.
Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.
Catalogue Raisonné

Please note: This section is empty

A catalogue raisonné is an annotated listing of artworks created by an artist across different media.
Credit Line for Reproduction

Please note: This section is empty

The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Title The Animal Tamers, from the "Grotesques" series

Artwork Date between 1689 and 1732

Makers Jean Baptiste Monnoyer (Designer) French, 1636-1699 Beauvais Manufactory (Manufacturer) French

Medium Wool, silk

Dimensions 108 × 153 1/2 inches (274.3 cm × 3 m 89.9 cm)

Classification Tapestries

Department European Sculpture and Dec Arts

Credit Gift of K. T. Keller

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 62.181

Markings

Inscriptions ------

Provenance

1920, Possibly sold (Galerie Georges Petit, Paris, France)

until 1933, T. E. Stebbins. until 1962, (French & Co., New York, New York, USA)

1962, K.T. Keller, (Detroit, Michigan, USA)

1962-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

J. Badin, LA MANUFACTURE DE TAPISSERIES DE BEAUVAIS, Paris, 1909, p. 56

Göbel, WANDTEPPICHE, vol. II (Die Romanischen Länder), 2 vols, Leipzig, 1928, vol. 2, 215

Detroit Institute of Arts, FOUR HUNDRED YEARS OF TAPESTRIES, February 10-March 8, 1945, no. 41, p. 13

Hartford, CT, Wadsworth Atheneum, 2000 YEARS OF TAPESTRY WEAVING (A Loan Exhibition), December 7, 1951- January 27, 1952

Baltimore Museum of Art, 2000 YEARS OF TAPESTRY WEAVING (A Loan Exhibition), February 27, 1952-March 25, 1952, cat. no. 111, p. 47 (illus pl XV).

B. Jestaz, "The Beauvais Manufactory in 1690," ACTS OF THE TAPESTRY SYMPOSIUM, NOVEMBER 1976, San Francisco, 1979, pp. 187-208

E. Standen, "Some Beauvais Tapestries Related to Berain," ARTS OF THE TAPESTRY SYMPOSIUM NOVEMBER 1976, THE FINE ARTS MUSEUM OF SAN FRANCSICO, San Francisco, 1979, pp. 209-213

Detroit Institute of Arts, THE ART OF CHIVALRY, April 1984-June 1984 (not in cat.)

E. Standen, European Post-Medieval Tapestries and Related Hangings in the Metropolitan Museum of Art, New York, 1985, vol. 2, pp. 441-58

Bennett, A. G., FIVE CENTURIES OF TAPESTRY FROM THE FINE ARTS MUSEUMS OF SAN FRANCISCO, San Francisco, 1992, pp. 258-65

Adelson, C. J., EUROPEAN TAPESTRY IN THE MINNEAPOLIS INSTITUTE OF ARTS, Minneapolis, 1994, pp. 307-21

Lausanne, Bâtiment du Grand Conseil, "Tapisseries de Bruges, Bruxelles et Beauvais, XVIIe et XVIIIe siècles. Chefs-d'oeuvre de la collection Toms." exh. cat. by N. de Reyniès, G. Delmarcel and P. Lüscher, 1995, pp 18-20 (not in exh).

Detroit, DIA, Woven Splendor: Five Centuries of European Tapestry at the Detroit Institute of Arts, July-Sept 1996, cat. no. 15, p. 59, color repro pp. 60-1, b/w det. p. 5 (entry by T. Albainy)

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

Jean Baptiste Monnoyer; Beauvais Manufactory, The Animal Tamers, from the "Grotesques" series, between 1689 and 1732, wool, silk. Detroit Institute of Arts, Gift of K. T. Keller, 62.181.