Belle Vue, the Seat of Robert Reynolds, Esquire taken from the East

19th century

Catherine Reynolds Canadian, 1784-1864

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About the Artwork

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Markings

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Provenance

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Catalogue Raisonné

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About the Artwork

Title Belle Vue, the Seat of Robert Reynolds, Esquire taken from the East

Artwork Date 19th century

Artist Catherine Reynolds

Life Dates 1784-1864

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Canadian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Watercolor, pen and ink on paper

Dimensions Sheet: 10 × 14 1/4 inches (25.4 × 36.2 cm) Framed: 14 3/4 × 18 1/2 × 3/4 inches (37.5 × 47 × 1.9 cm)

Classification Drawings

Department Prints, Drawings & Photographs

Credit Founders Society Purchase, Gibbs-Williams Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 53.9

Markings

Inscriptions Inscribed, lower left: No 1 Belle Vue, the Seat of Robert Reynolds Esqr, taken from the East

Provenance

1953-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Bulletin of the DIA 33, 1 (1953-54): 17-20 (ill.).

Catherine Reynolds, An Early Canadian Artist in Essex County. Exh. cat., Willistead Art Gallery of Windsor. Windsor, Ontario, 1967, p. 6, no. 2.

Douglas, R. A. "The Paintings of Catherine Reynolds." The University of Windsor Review 2, 1 (Fall 1966): 57-66 (ill.).

From Women's Eyes: Women Painters in Canada. Exh. cat., Agnes Etherington's Art Centre. Kingston, Ontario, 1975, p. 11, no. 3 (ill.).

Macrae, M. "The Ancestral Roof." Domestic Architecture of Upper Canada. Toronto, 1963, p. 41, no. 21.

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Catalogue Raisoneé

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Credit Line for Reproduction

Catherine Reynolds, Belle Vue, the Seat of Robert Reynolds, Esquire taken from the East, 19th century, watercolor, pen and ink on paper. Detroit Institute of Arts, Founders Society Purchase, Gibbs-Williams Fund, 53.9.