Caernarvon Castle

between 1744 and 1745

Richard Wilson Welsh, ca. 1713-1782

On View

British, Level 3, South Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Caernarvon Castle

Artwork Date between 1744 and 1745

Artist Richard Wilson

Life Dates ca. 1713-1782

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Welsh

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 32 1/2 × 45 inches (82.6 × 114.3 cm) Framed: 40 × 52 3/4 × 2 5/8 inches (101.6 × 134 × 6.7 cm)

Classification Paintings

Department European Painting

Credit Founders Society Purchase, Robert H. Tannahill Foundation Fund, Joseph H. Parsons Fund, Ralph Harman Booth Bequest Fund, DeRoy Testamentary Foundation Acquisition Fund, Edna Burian Skelton Fund, Mary Martin Semmes Fund, Abraham Borman Family Fund, Mr. and Mrs. Allan Shelden III Fund, and funds from Stanley R. and Lynn W. Day, Mr. Richard A. Manoogian, Marvin and Betty Danto, Marianne Schwartz, European Paintings Council, Margaret H. Demant, Ruth F. Rattner, and other contributors

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1998.1

Markings

Inscriptions ------

Provenance

Sir Charles Tennant, Baronet [d. 1906] (The Glen, Peebleshire, Scotland)

1943-1997, by descent to his daughter, the Honorable Mrs. Walter Elliot [created Baroness Elliot of Harwood in 1958] (Hawick, Scotland)

by 1998, (David Carritt Ltd. [Artemis], London, England)

1998-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Constable, W.G., Richard Wilson, London, 1953, p. 173, pls. 32a, 32b.

Solkin, David. Richard Wilson the Landscape of Reaction. Exh. cat., Tate Gallery, et al. London, 1982, p. 148, cat. 7 (ill.).

Sutton, D. "A medidative love of nature: The Richard Wilson exhibition." Apollo (January 1983): p. 39.

The Treasure Houses of Great Britain. Exh. cat., National Gallery of Art. Washington, D.C., 1985, p. 381, cat. 318 (ill.).

"La Chronique des Arts Principales Acquisitions des Musees en 1998." Gazette des Beaux-Arts 133 (March 1999): p. 55, no. 208.

Wissman, F.W. European Vistas: Cultural Landscapes. Exh. cat., Detroit Institute of Arts. Detroit, 2000, p. 78 (ill.).

Bandes, Susan J. Pursuits and Pleasures: Baroque Paintings from the Detroit Institute of Arts. Exh. cat., Dennos Museum Center, Kalamazoo Art Museum, Kresge Art Museum, Muskegon Museum of Art. Battle Creek, 2003, pp. 46, 47 (ill.).

Richard Wilson and the British Arcadia. Exh. cat., Richard L. Feigen & Co. New York, 2010, cat. no. 2. [as by Richard Wilson.]

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Catalogue Raisoneé

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Credit Line for Reproduction

Richard Wilson, Caernarvon Castle, between 1744 and 1745, oil on canvas. Detroit Institute of Arts, Founders Society Purchase, Robert H. Tannahill Foundation Fund, Joseph H. Parsons Fund, et al., 1998.1.