Entering the Village

1919

Max Pechstein German, 1881-1955

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Markings

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Provenance

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Exhibition History

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About the Artwork

Title Entering the Village

Artwork Date 1919

Artist Max Pechstein

Life Dates 1881-1955

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. German

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Woodcut printed in black ink on laid paper

Dimensions Image: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) Sheet: 18 1/4 × 24 1/2 inches (46.4 × 62.2 cm) Framed: 24 1/16 × 30 1/16 × 1 inches (61.1 × 76.4 × 2.5 cm)

Classification Prints

Department Prints, Drawings & Photographs

Credit City of Detroit Purchase

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 30.80

Markings

Signed Signed and dated, in pencil, lower right: H M Pechstein 1919

Inscriptions Inscribed, in pencil, lower left: 13/75 Inscribed, upper left corner: 2 Inscribed, in pencil, lower right: R22957

Marks Watermark: [rearing beast, cursive initials below]

Provenance

(Ernst Arnold Galerie, Dresden, Germany)

1930-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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