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About the Artwork

Garden

1915

Paul Klee

1879-1940

Swiss

Unknown

Watercolor over graphite pencil on paper mounted on thin cardboard

Sheet: 5 1/8 × 9 1/2 inches (13 × 24.1 cm) Framed: 13 1/2 × 17 7/8 × 7/8 inches (34.3 × 45.4 × 2.2 cm)

Drawings

Prints, Drawings & Photographs

Bequest of Robert H. Tannahill

70.342

Copyright not assessed, please contact [email protected].

Markings

Signed, lower right: Klee

Inscribed, in brown ink, lower left: 1915 162 Inscribed, in red pencil, verso, upper left: No 830 [in rectangle] Inscribed, in pencil, verso, near lower center below Kunsthalle Mannheim stamp: 2554 Inscribed, in pencil, verso, near lower center: Paul Klee | Garten 1915 | 162 | Berliner Katalog "Der Sturm" 7 (Febr.1917.)

Stamp, on verso, in brown ink, left of center: Kunsthalle Mannheim (Lugt suppl. 1781e)

Provenance

1929, Dr. Dürr (Mannheim, Germany)

1929-1937, Städtische Kunsthalle Mannheim (Mannheim, Germany). August 28, 1937- May 6, 1939, confiscated by the Deutsches Reich/Reichsministerium fur Volksaufklärung und Propaganda (Berlin, Germany). August 1938-May 6, 1939, while confiscated, stored in Depot Schloss Schönhausen (warehouse of "international reusable" works of art) (Berlin, Germany)

May 6, 1939, purchased by (Buch und Kunsthandlung Karl Buchholz, Berlin, Germany)

1939-1945, possession of (Buchholz Gallery, Curt Valentin, New York, New York, USA). by 1945, acquired by (Karl Nierendorf Gallery, New York, New York, USA)

1945-1970, sold to Robert H. Tannahill (Grosse Pointe Farms, Michigan, USA)

1970-present, bequest to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Uhr, H. Masterpieces of German Expressionism at the Detroit Institute of Arts. New York, 1982, p. 112 (ill.).

Uhr, H. German Drawings and Watercolors. New York, 1987, pp. 256-257, no. 141.

Tiedemann, Anja. Die "entartete" Moderne und ihr amerikanischer Markt. Karl Buchholz und Curt Valentin als Händler verfemter Kunst. Berlin 2013: Schriften der Forschungsstelle „Entartete Kunst“, vol. 8, pp. 175, 365.

"Entartete" Kunst: digital reproduction of a typescript inventory. Reichsministerium fur Volksaufklarung und Propaganda, ca. 1941/1942. Vol. 2, page 143. (V&A NAL MSL/1996/7) London: Victoria and Albert Museum, January 2014. [http://www.vam.ac.uk/entartetekunst]

Datenbank zum Beschlagnahmeinventar der Aktion "Entartete Kunst", Forschungsstelle "Entartete Kunst", FU Berlin. [http://www.geschkult.fu-berlin.de/e/db_entart_kunst]

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Catalogue Raisoneé

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Credit Line for Reproduction

Paul Klee, Garden, 1915, watercolor over graphite pencil on paper mounted on thin cardboard. Detroit Institute of Arts, Bequest of Robert H. Tannahill, 70.342.

Garden
Garden