Head

between 19th and 20th century

Fang, African

Not On View

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Title Head

Artwork Date between 19th and 20th century

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. African

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Fang

Medium Wood, kaolin, pigment

Dimensions Overall: 19 1/2 × 6 1/2 × 4 1/2 inches (49.5 × 16.5 × 11.4 cm)

Classification Sculpture

Department African Art

Credit Founders Society Purchase, Eleanor Clay Ford Fund for African Art and Mr. and Mrs. Walter Buhl Ford II Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 77.29

Markings

Inscriptions ------

Provenance

Ratton, (Paris, France). Helena Rubinstein (Paris, France). Kamer (Paris, France). Arman (Paris, France). (Merton D. Simpson Gallery)

1977-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

"Family Art Game," Detroit Free Press (May 20, 1979): p. 25 (ill.) [DIA Advertising Supplement].

African Masterworks In The Detroit Institute of Arts. Washington and London: The Detroit Institute of Arts and Smithsonian Institution Press, 1995, cat. no. 52.

Helena Rubinstein: Beauty is Power. Exh. cat., the Jewish Museum. New York, 2014, p. 34 (ill.).

Joubert, Helene, ed. Hélèna Rubinstein: Madame's Collection. Exh. cat., Musée du Quai Branly - Jacques Chirac. Paris, 2019, pp. 62-63, (ill. 41).

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

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Catalogue Raisoneé

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Credit Line for Reproduction

Fang, African, Head, between 19th and 20th century, wood, kaolin, pigment. Detroit Institute of Arts, Founders Society Purchase, Eleanor Clay Ford Fund for African Art and Mr. and Mrs. Walter Buhl Ford II Fund, 77.29.