Mrs. William Page

William Page American, 1811-1885
On View

in

American, Level 2, West Wing

  • About the Artwork

    Please note: This section is empty

  • Markings

    Please note: This section is empty

    This section contains information about signatures, inscriptions and/or markings an object may have.

  • Provenance

    Please note: This section is empty

    Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

    For more information on provenance and its important function in the museum, please visit:

  • Exhibition History

    Please note: This section is empty

    The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

    We welcome your feedback for correction and/or improvement.

  • Published References

    Please note: This section is empty

    We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

  • Catalogue Raisonné

    Please note: This section is empty

    A catalogue raisonné is an annotated listing of artworks created by an artist across different media.

  • Credit Line for Reproduction

    Please note: This section is empty

    The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Mrs. William Page

between 1860 and 1861

William Page

1811-1885

American

Unknown

Oil on canvas

Unframed: 60 1/4 × 36 1/4 inches (153 × 92.1 cm) Framed: 67 3/8 × 44 × 4 1/4 inches (171.1 × 111.8 × 10.8 cm)

Paintings

American Art before 1950

Gift of Mr. and Mrs. George S. Page, Blinn S. Page, Lowell Briggs Page and Mrs. Leslie Stockton Howell

37.61

Copyright not assessed, please contact [email protected].

Markings

------

Provenance

1893, the artist's son, William S. Page

1936, his son, George S. Page (Pittsburgh, Pennsylvania, USA) [owned jointly with his wife, Delilla B. Page, his sons, Blinn S. Page (Grosse Pointe Park, Michigan, USA) and Lowell Briggs Page and his daughter, Mrs. Leslie Stockton Howell (Philadelphia, Pennsylvania, USA)]

1937-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

International Expositions. Exh. cat., London, 1862, no. 2883.

Some Descriptions of a Few Pictures Painted by William Page. Exh. cat., The Studio Building. New York, 1867, no. 15.

Benjamin, S.G.W. Art in America. New York, 1880, p. 91.

Isham, Samuel. The History of American Painting. New York, 1905, p. 283.

Richardson, Edgar P. “Two Portraits by William Page.” Art Quarterly 1, 2 (Spring 1938): pp. 91, 96, 99-101.

Romantic Painting in America. Exh. cat., Museum of Modern Art. New York, 1943, p. 165.

Swenson, Eleanor B. “When the Modern Battle was New.” Art News 48 (March 1949): p. 27.

Richardson, E.P. “Painting in America.” Art News (March 1949): p. 183 (fig. 81).

Travelers in Arcadia. Exh. cat., Detroit Institute of Arts. Detroit, 1951, no. 82.

Baur, John I.H. American Painting in the Nineteenth Century. New York, 1953 (pl. 58).

HundertJahre Amerikanische Malerei 1800-1900. Exh. cat., Germany, 1953, p. 32, no. 71 (pl. 30).

Mostra di Pittura Americane del XIX Secolo. Exh. cat., Galleria Nazionale d’Arte Moderna. Rome, 1954, p. 30, no. 42 (pl. 15).

The Great Decade in American Writing 1850-1860. Exh. cat., American Academy of Arts and Letters. New York, 1954, no. 161.

Face of America. Exh. cat., Brooklyn Museum. Brooklyn, 1957, no. 52.

Richardson, Edgar P. Painting in America: The Story of 450 Years. Detroit, 1957, pp. 183, 196 (fig. 81).

Taylor, Joshua C. William Page: The American Titian. Chicago, 1957, pp. 168-171, 175, 213, 217, 235, 269 (fig. 45).

_______________. “The Fascinating Mrs. Page.” Art Quarterly 20 (Winter 1957): pp. 347-362 (ill.).

Pierson, William and Martha Davidson, eds. Arts of the United States: A Pictorial Survey. New York, 1960, p. 319, no. 2813.

American Painting 1857-1869. Exh. cat., University of Delaware and Wilmington Society of Fine Arts. Wilmington, 1962, no. 76.

Style, Truth, and the Portrait. Exh. cat., Cleveland Museum of Art. Cleveland, 1963, no. 80.

Four Centuries of American Art. Exh. cat., Minneapolis Institute of Arts. Minneapolis, 1964, no. 93.

Goodrich, Lloyd. Three Centuries of American Art. New York, 1966, p. 50.

Green, Samuel M. American Art: A Historical Survey. New York, 1966, p. 246 (pl. 4-45).

Art of the United States: 1670-1966. Exh. cat., Whitney Museum of American Art. New York, 1966, no. 207 (ill.).

McCoy, Garnett. “William Page and Henry Stevens: An Incident of Reluctant Art Patronage.” Journal of the Archives of American Art 7 (1967): pp. 15, 17.

Wilmerding, John. Pittura Americana dell’Ottocento. Milan, 1967, pp. 85, 94.

Journal of the Archives of American Art 7, 3-4 (July-October 1967): p. 17 (ill.).

The Lives of the Painters. London, 1969 (pl. 344).

Canaday, John. The Lives of the Painters, Vol. 3. New York, pp. 1081-1083.

Mendelowitz, Daniel M. A History of American Art. New York, 1970, p. 287 (fig. 392).

Wilmerding, John. Audobon, Homer, Whistler, and Nineteenth-Century America. New York, 1970, pp. 15, 77 (pl. 59).

Price, V. Treasury of American Art. Waukesha, WI, 1972, p. 112 (ill.).

Wilmerding, John. American Art. Harmondsworth, England, 1976, pp. 162-163 (fig. 199).

Dinnerstein, Lois. “The Signigicance of the Colosseum in the First Century of American Art.” Arts Magazine 58 (June 1984): p. 117 (fig. 5).

Simon, Robin. The Portrait in Britain and America. Oxford, 1987, p. 214 (ill.).

Shaw, Nancy Rivard, et al. American Paintings in the Detroit Institute of Arts, Volume I. New York, 1991, pp. 145-147, no. 64 (ill.).

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

William Page, Mrs. William Page, between 1860 and 1861, oil on canvas. Detroit Institute of Arts, Gift of Mr. and Mrs. George S. Page, Blinn S. Page, Lowell Briggs Page, et al., 37.61.

Mrs. William Page
Mrs. William Page