Qur'an

1450 - 1460

Islamic, Iranian

Not On View

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

The Timurids ruled most of Iran and Central Asia for much of the fifteenth century. As patrons of the arts they established kitabkhanas (royal library-workshops) in Samarkand and Herat, producing luxurious Qur’ans (the holy book of Islam) as declarations of their piety. These Qur’ans, of imposing size, were written in a variety of monumental cursive scripts and illuminated with a rich repertoire of ornamental motifs. The delicacy and intricacy of expression achieved by the royal Timurid style dazzles the eye on this sumptuous object of veneration.

Title Qur'an

Artwork Date 1450 - 1460

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Iranian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Islamic

Medium Ink, pigments, and gold on painted paper; binding: leather with gold and pigments

Dimensions Overall (book): 17 1/2 × 15 inches (44.5 × 38.1 cm) Overall (manuscript): 12 × 10 1/2 inches (30.5 × 26.7 cm)

Classification Manuscripts

Department Islamic Art

Credit City of Detroit Purchase

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 30.323

Markings

Inscriptions ------

Provenance

(Hassan Khan, Tabriz, Iran)

1930-present, purchased by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Edwards, Holly. Patterns and Precision: The Arts and Sciences of Islam. National Committee to Honor the Fourteenth Centennial Islam, 1982, p. 31 (ill.).

Masterpieces of Art (In Memory of W. R. Valentiner). North Carolina Museum of Art. Raleigh, 1959, cat. 214.

Lentz, T. W. and G. D. Lowry. Timur and the Princely Vision. Exh. cat., Los Angeles County Museum of Art. Los Angeles, 1989, pp. 78-79 (ill.). [p. 332 described and dated c. 1425-1450]

Blair, Sheila S., Jonathon M. Bloom, ed., Images of Paradise in Islamic Art. Exh. cat., Hood Museum of Art, Dartmouth College. Hanover, N.H., 1991, p. 55 (ill.).

Henshaw, Julia P., ed. A Visitors Guide: The Detroit Institute of Arts. Detroit, 1995, p. 127 (ill.).

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Catalogue Raisoneé

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Credit Line for Reproduction

Islamic, Iranian, Qur'an, 1450 - 1460, ink, pigments, and gold on painted paper; binding: leather with gold and pigments. Detroit Institute of Arts, City of Detroit Purchase, 30.323.