Woman Posing on James Barnor's Car, Accra, Ghana

1970s, printed 2018

James Barnor Ghanaian, born 1929

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Woman Posing on James Barnor's Car, Accra, Ghana

Artwork Date 1970s, printed 2018

Artist James Barnor

Life Dates born 1929

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Ghanaian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Dye-destruction print

Dimensions Image: 15 7/8 × 15 7/8 inches (40.3 × 40.3 cm) Sheet: 17 7/8 × 17 7/8 inches (45.4 × 45.4 cm)

Classification Photographs

Department Prints, Drawings & Photographs

Credit Museum Purchase, funds from Mary Martin Semmes Fund and Albert and Peggy de Salle Charitable Trust

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 2020.18.6

Markings

Signed In black pen and ink, lower right, verso: James Barnor

Inscriptions ------

Marks Printed in grey ink, on label, affixed to verso, lower right: JAMES BARNOR CF Photographs In black pen and ink, on label, affixed to verso, lower right: 2019 3/5

Provenance

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Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

"Detroit Institute of Arts adds works to Native American collection, new works by women artists," Artdaily. Accessed on [November 4, 2021]. https://artdaily.cc/news/131545/Detroit-Institute-of-Arts-adds-works-to-Native-American-collection--new-works-by-women-artists#.YYQ0NWDMKUm.

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

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Catalogue Raisoneé

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Credit Line for Reproduction

James Barnor, Woman Posing on James Barnor's Car, Accra, Ghana, 1970s, printed 2018, dye-destruction print. Detroit Institute of Arts, Museum Purchase, funds from Mary Martin Semmes Fund and Albert and Peggy de Salle Charitable Trust, 2020.18.6.