Celadon and Amelia

1766

Richard Wilson, Artist William Woollett, Artist

Not On View

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About the Artwork

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Markings

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Provenance

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Celadon and Amelia

Artwork Date 1766

Makers Richard Wilson (Artist) Welsh, ca. 1713-1782 William Woollett (Artist) English, 1735-1785

Medium Etching and engraving in ink on laid paper

Dimensions Plate: 17 1/2 × 21 3/4 inches (44.5 × 55.2 cm) Sheet: 19 3/8 × 23 1/8 inches (49.2 × 58.7 cm)

Classification Prints

Department Prints, Drawings & Photographs

Credit Gift of Mrs. James E. Scripps

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 09.1S1268

Markings

Inscriptions Inscribed, in plate, lower left: R. Wilson pinxit Londini. Inscribed, lower right: Browne Aqua forti fecit. Woollett Sculpt, Inscribed, lower center: CELADON and AMELIA. | From an Original Picture, in the Collection of Wm,, Lock Esqr,, = | Publish'd June 10th, 1766 as the Act directs, by Wm. Woollett in Green Street, Leicester Fields, & Ryland & Bryer at the King's Arms. in Cornhill, London. Inscribed, verse in plate, bottom left margin: The tempest caught them on the tender walk, | from his void embrace, | Mysterious Heaven! that moment to the ground, | A blacken'd corse, was struck the beauteous maid. Inscribed, verse continued in the bottom right margin: But who can paint the lover, as he stood, | Pierc'd by severe amazement, hating life, | Speechless, and fix'd in all the death of woe! | Thompson's Summer, v. 1191. 1214.

Marks Marked, in brown ink, verso: Amann [? (variation of Lugt 9)] Marked, stamp in green, lower right, recto: M. Levy [in circle (Lugt 1676)]

Provenance

possibly Amann. M. Levy (Warsaw, Poland). C. J. Meyer (Carlsbad, probably California, USA). Mrs. James E. Scripps [Harriet J.] (Detroit, Michigan, USA)

1909-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Andresen, A. Handbook of Prints and Drawings in the British Museum. London: G. Bell and Sons, 1876, no. 34.

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Catalogue Raisoneé

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Credit Line for Reproduction

William Woollett; after Richard Wilson, Celadon and Amelia, 1766, etching and engraving in ink on laid paper. Detroit Institute of Arts, Gift of Mrs. James E. Scripps, 09.1S1268.